And are officially reuniting, Deadline reports. The Oscar-winning actor has said yes to joining Tarantino’s secretive ninth movie and the deal is expected to close very soon. The movie is the first of Tarantino’s to be released with and already has an August 2019 release date. DiCaprio and Tarantino last worked together on “.” Read More:Quentin Tarantino’s New Movie: First Plot Details Reveal the Role and are Circling The film is set in Los Angeles in 1969 and reportedly focuses on a male television actor who is looking to break big in Hollywood along with his sidekick stunt double. The murder of Tate and her four friends somehow factors into the plot, which has been teased as resembling the multi-narrative structure of “.” Deadline confirms the rumors that Tarantino has reached out to to play Tate. » • • • 09 January 2018 • by John Hopewell and Elsa Keslassy •. Paris — ’s mid-life crisis faux documentary “Rock ’N Roll,” ’ “,” a coming-of-age drama-thriller, and ’s eiree family psycho-thriller “” are among 10 features competing at the 8th MyFrenchFilmFestival. Watch Django Unchained Online Free Full Movie Putlocker, watch Django Unchained 123movies, watch Django Unchained fmovies, With the help of a German bounty hunter, a. Django Full Movie HD Watch Online Free, Django Watch Online Full HD, Django Watch or download by free from your devicesDjango HD Movie Online Django6.6/1034. Django Reinhardt was one of, watch DJANGO. Django Melodies; Τζάνγκο, ο βασιλιάς του σουίνγκ; Django; Melodias de Django. This year’s edition runs online from Jan. 19 through Feb. Launched in 2011 by French film promotion org to target a primarily young millennial audience – more than half Mfff’s viewers are under 40 – Mfff focuses primarily on emerging directorial talent from France: There is also a large emphasis on short films from almost inevitably little or unknown young directors. That said, the most common characteristic of the movies presented Tuesday morning in Paris by UniFrance president and managing director is their robust diversity. “We want to show young French cinema in all its diversity,” said, Mfff co-director with. MyFrenchFilmFestival is screening to an ever-wider audience. Earning 560,000 film views in 2015, but 6.4 million in 2016 and 6.7 million » • • • 22 December 2017 • by TMZ Staff •. ![]() ![]() The very notion of a contemporary melodrama set in post-Apartheid South Africa tricked out with the narrative and visual tropes of Spaghetti Westerns and revisionist American oaters might seem, at first blush, too film-geek clever by half. But “” turns out to be an impressively effective and engrossing cross-cultural hybrid that has a great deal more than novelty value going for it. Director and scripter skillfully employ recycled genre elements to enhance the mythic qualities of their slow-burn narrative and reinforce the underlying sense that their archetypical characters are fulfilling destinies as inescapable as the fates that might befall major players in a conventional Wild West saga. During the lengthy pre-credits prologue, which unfolds during the later days of the Apartheid era, we’re brought to the outskirts of Marseilles, one of several Eastern Cape railroad towns named after European capitals, and introduced to the “” — childhood friends bound by » • • • 23 October 2017 • by Movie Geeks •. By Roger Carpenter While made his reputation with a series of graphically violent horror movies like (Aka Zombi 2), (Aka The Gates of Hell),, The Beyond, and, his early career was a hodgepodge of film genres including comedies, spaghetti westerns, and poliziotteschi. However, many critics argue that his greatest films were his early gialli films like A Lizard in a Woman’s Skin and Don’t Torture a Duckling. Was handicapped by terribly low budgets for most of his career but some of his earlier works were actually well-funded, allowing his cinematic craftsmanship to be on full display. Such was the case with Don’t Torture a Duckling. As was the case with many gialli of the time period, the film titles were influenced by Argento’s first three gialli, collectively known as the “Animal Trilogy. » • • • 26 July 2017 • by Nick Vivarelli and Stewart Clarke •. British broadcaster ITV is in advanced negotiations to acquire a majority stake in, the Italian film and TV production company behind internationally successful TV dramas such as ’s “” and Netflix’s upcoming “” (pictured), sources say. The move is in line with ITV’s aggressive expansion into international production and its stated mergers and acquisitions strategy. ![]() Italy is one market in which the British TV giant hasn’t yet made any acquisitions. French media investment consortium Mediawan had also been pursuing, but those talks broke off several months ago, sources say. ITV and declined to comment. Sources say the deal is expected to close by September., which does both film and television, is Italy’s top indie production shingle. The company more than doubled its revenues to $82 million in 2015, the last year for which its results have been disclosed. Currently, is a three-way partnership between Tozzi and producers » • • • 09 July 2017 • by Movie Geeks •. By Roger Carpenter The spaghetti western subgenre is littered with series-headlining characters like Sabata, Sartana, and Ringo. But for sheer popularity as well as film volume, no one beats. Director introduced to an international audience in 1966. Starring as the titular character, the film was so immensely popular across the globe that it spawned at least 60 unofficial sequels with titles like, Viva!, KillIf You Live Shoot!,, and literally dozens of others. There was even a comedy western entitled Nude Django. ![]() The name continues to live on with ’s (2007) and ’s (2012), which not only sports the original “” theme song but also a small part for himself,, as a bettor during a Mandingo fight. The Italians are famous for jumping onto any cinematic bandwagon, » • • • 22 June 2017 • by Tony Hinds •. The classical western exists as an ideal sandbox for stories of heroism, in which white hats can immediately separate our protagonists from the black-hatted antagonists. Occasionally, though, we have a revisionist western that questions and defies the well-trodden patriarchal confines of the genre, as if looking at an old image from a tilted perspective and finding something new. Sometimes, the characters don’t fit into the dusty old boxes occupied by so many western heroes and heroines. The hero robs and kills to stay alive, frightened and overwhelmed by this strange, new frontier. Other times, the stereotypical Western landscape disappears, blanketed in snow. Horses drive their hooves through ice-covered puddles. Wind screams past bone-thin trees — manifest destiny frozen over, encasing the American dream in ice. In the case of ’s newest,, gender and power roles reverse: an injured Union soldier () turns up at a girl’s school, an arrival which breeds intense sexual tension and rivalry among the women (, and ). According to our review, the movie is “primarily based on the 1966 book by,” and “appears, at first glance, to be a remake of ’s 1971 film adaptation rather than any sort of new reading of the original text. Coppola, of course, is far too clever for that.” In celebration of, we’ve decided to take a look at the finest examples of the revisionist western. Enjoy, and please include your own favorites in the comments. () () idolized the legendary outlaw (), growing up hearing campfire stories about the man. Ford loved James so much that he eventually willed himself into the man’s life story. You cannot tell James’s story without also telling Ford’s. These two tragic lives are irrevocably linked by Ford’s betrayal. The film’s dryly antiseptic voiceover narration confides that Ford grew to regret his violent ways. The same goes for James, who at one point beats a child and then weeps into his horse’s neck, unable to live with his own deeds. While James’ propensity for violence is a deeply cut character flaw, Pitt plays the outlaw like an emotionally wounded teenager. His jovial sense of humor cloaks a vindictive and self-loathing interior. Whether hurts himself or someone else, there is always a witness looking on with wide eyes. After James’ murder, Ford became a celebrity, touring the country reenacting the shooting. But Ford gained his prominence by killing a beloved folk hero. And so, one day, a man named walked into Ford’s saloon with a shotgun and took revenge for James’s murder. Unlike the aftermath of Ford’s deed, people leapt to Kelly’s defense, collecting over 7000 signatures for a petition, leading to his pardon. America hated because he killed. They loved because he killed. And the Indians, or Sitting Bull’s History Lesson () ’s largely forgotten and often funny western about egotistical showman () treats its lead without respect, eagerly mocking him at every opportunity. Known across America as they best tracker of man and animals alive, Cody runs ’s Wild West Show, a rodeo-like performance of cowboy-feats, ranging from simple rope tricks to the trick-shots of the legendary Annie Oakley. However, Cody is a fraud, a walking accumulation of lies and tall-tales. When Cody gets the chance to hire Chief Sitting Bull, the man who defeated General Custer at, he’s thrilled, until Sitting Bull refuses to participate in his offensive show. Contrasted with phony, Sitting Bull drips with dignified authenticity, totally uninterested in living up to the ignorant public’s racist image of his people. While the manufactured “reality” of Cody’s shows gets applause from white audiences, the stoic realness of Sitting Bull initially receives jeers, until something occurs to the crowd: this isn’t showmanship; this is the real thing. Later, when Cody and his gang form a posse, he hastily removes his show attire and searches through his wardrobe, cursing: “Where’s my real jacket?” So utterly consumed by his own public image, Cody can no longer locate his true self. ’s film is a rare western with a lead character who never succeeds, changes, or learns from his mistakes, always remaining a hopelessly pompous horse’s ass. () As we meet the legendary Butch Cassidy () he’s scoping out a bank, recently renovated to include heavy iron bars over every window and bolted-locks on every door. He asks the guard what happened to the old bank, which displayed such architectural beauty. “People kept robbing it,” the guard says. “Small price to pay for beauty,” Butch replies. It’s a running theme in revisionist westerns to reveal the truth behind the legend. The changing times had rendered bandits on horseback obsolete. But Butch Cassidy and his partner, the Sundance Kid () didn’t see the end coming until the future was already upon them. After barely evading a super-posse (to use a term coined by screenwriter ) led by a ruthless bounty hunter, they escape to Bolivia with Etta () Sundance’s girl, where their criminal ways are similarly received. What began as a vacation away from their troubles slowly becomes a permanent getaway run, sowing seeds of inevitable tragedy. Etta sees what Butch and Sundance cannot: the end. “We’re not going home anymore, are we?” Etta tearfully asks Sundance, informing him that she has no plans to stick around to watch them die. ’s is a tearful celebration of a pair of old dogs too foolish to learn new tricks. Dead Man () The gorgeous and haunting Dead Man opens with a soot-faced trilling as he points out the window of a train: “They’re shooting buffalo,” he cries. “Government said, it killed a million of them last year alone.” The American machine greedily consumes the landscape, leaving smoldering devastation in its path, while a stone-faced accountant named () travels to the hellish town of Machine, where he’s promised a job. Unfortunately, there’s no job at the end of the line for this seemingly educated man, blissfully unaware of his namesake, the poet. After taking a bullet to the chest, Blake wanders this dying western landscape as if in a dream, guided by Nobody () a Native American raised in England after getting kidnapped and paraded around as a sideshow attraction for whites. At one point, Blake stumbles upon three hunters by a camp fire, one of which, played by, wears a muddy dress and bonnet like a twisted schoolmarm. Writer-director ’s twist on the western (accompanied by ’s flawless cinematography) hums with textured period detail and vivid costume design, the accumulation of which achieves an eerily stylized tone. () The spirit of ’s is in the sequence scored by ’s “I’ve Got a Name.” (), now a free man, removes the old saddle from his horse’s back, a saddle originally procured by a white slaver, the animal’s previous owner. He then mounts in its place, his own saddle personalized with an embroidered D. His freedom is still new and unfamiliar but, is more than willing to grasp those reigns. What works best about the film is how Tarantino’s screenplay embraces the politics of the Antebellum South in a fashion carefully ignored by every other western of its time. The dialogue, Tarantino’s most applauded talent, wheels a careful turn between a sly comedy-of-manners and a bluntly provocative historical indictment, always landing on a shameless exploitation cinema influenced need for violent catharsis. Tarantino’s channeling of Spaghetti Western violence, with the gore cranked up to a level far beyond that of even ’s bloodiest work, delivers tenfold on that catharsis, splattering the pristine white walls of Candyland plantation bright red. () Dripping with transgressive and bizarre imagery, embraces every taboo imaginable with a breathless zeal. Existing somewhere between Midnight Movie oddity and art-house epic, ’s second feature envisions the west as an unknowable landscape, dotted with peculiar and grotesque characters, such as a legless gunfighter who rides around on the back of an armless man. Describing the film in narrative terms, beat by beat, would be pointless, although we follow a rider in black, the titular (which means The Mole) who crosses the desert with a naked boy on the saddle. Though we spend more time with, his son is the heart of the film, this warped and subversive pseudo-fable exploring the cyclical nature of life. Jodorowsky’s painterly eye for composition lends individual shots with arresting and breathtaking resonance. With less than subtle biblical imagery scattered throughout, including a marvelous sequence involving a religion based around the game of, Jodorowsky’s film feels at times like a twisted celebration of mysticism, sampling notes from Catholicism, Christianity, Hinduism and Buddhism. It’s ending, a chaotic, dream-like burst of violence, adds a scathing gut-punch to an already overwhelming experience. There is no other western quite like, to say the least. Continue >> » • • • 13 May 2017 •. Italian actor wants to reprise his role as the coffin-dragging gunfighter made famous in 's original 1966 spaghetti Western,. Lives! will be directed by 's from a screenplay by legendary writer/director (Lone Star, ). Will handle international sales and present the project at Cannes next week, reports Screen Daily Lives! Will catch up with the titular character in California in 1914, where he will encounter white supremacists. 'Having Christian direct Sayles's powerful screenplay is a dream come true,' said Nero. 'Even Christian's third son is named Django. It was meant to be.' 's, and Alvart will produce the film alongside ', Louis. [Read the whole post on screenanarchy.com.] » • • • 12 May 2017 • by [email protected] (Jeremy Kay) •. To reprise legendary role as. Will direct from a screenplay by and Italian icon will reprise the role that brought him worldwide fame in ’s 1966 classic. Myriad will handle international sales and introduce the project to buyers in Cannes next week. Will star Nero as a drifter in California in 1914 who encounters White Supremacists. “I’m excited and honored to be a part of this great project that will update us on one of the greatest archetype characters of movie history,” Alvart said. “Having Christian direct Sayles’s powerful screenplay is a dream come true,” Nero, who appeared in ’s 2012 western, said. “Even Christian’s third son is named. It was meant to be.” ’s, and Alvart produced alongside ’,,, and » • • • 02 May 2017 • by Jim Hemphill •. When ’s 1966 Western became an international hit, it kicked off one of the more surprisingly enduring series in the history of movies, though to call it a “series” is a bit misleading. In keeping with Italian cinema practices of the day, the movie spawned not only official and semi-official sequels but dozens of unsanctioned off-shoots — in some cases Westerns that had been made with no connection to whatsoever but which worked the name into their titles in the hope of making a quick buck. Over time the name became less a reference to the [] » • • • 08 March 2017 • by Jordan Raup •. If you’re looking for something related to or, one will have to keep searching. Rather, tells the story of famous musician as he flees from a German-occupied Paris in 1943. Premiering at the Berlin International Film Festival as its opener, the first trailer has now landed for ‘s drama starring (, ) ahead of a release in France this spring. We said in our review, “this drama about an artist who – at first – ignores the rise of far-right fascism in Europe (“who I play to is of no concern” Reinhardt argues) proves, by its close, an effective warning of the troubles of collaborationists and appeasers to society’s malignant forces. While it’s narratively unadventurous and its characters are undeveloped, this debut by French director does have the ring of prescience, and is all the better for it. » • • • 05 March 2017 • by Anne-Katrin Titze •. Author: Zehra Phelan In 2015, and stuck two fingers up at the film industry with the directed. It proved to the whole industry just because you’ve reached a certain age doesn’t mean you’ve lost your talent or appeal to the movie going public. In fact over the last few years we have seen actors such as, and all prove they are all digging their heels in and not going anywhere. Now it’s time for the ladies to get in on the act with Golden Globe-winner – who we last saw make an appearance in last year’s – Oscar nominee ( Slayer, ) and Italian heartthrob (, ) all starring in the upcoming feel-good comedy, The Time of Their Lives » • • • 27 January 2017 • by Guardian Staff •. Writer-director gives us one of the best 'political' Italo westerns from the pre- May '68 era. With two top stars in great form, and. This two-disc German import has both the long and short versions of the movie in HD, with full language options for each. (; Von Angesicht zu Angesicht) Region A+B Blu-ray Explosive Media (Alive) 1967 / Color / 2:35 widescreen / 93, 112 min. / Street Date April 29, 2016 / available at Amazon.de / E 21,93 Starring,,,,,,,,,,, G&eacutge;rard Tichy. Cinematography Film Editor Original Music Art Direction and sets Written by, Produced. Back in the summer of 2014 it was reported that would reprise the role of from the 1966 spaghetti western for Lives, and now the project has found itself a writer and director in Oscar-nominated filmmaker (, Lone Star). Lives will mark Nero’s third outing as after the original movie and the 1987 sequel!, and while plot details are being kept under wraps, it had previously been reported that the film would “be set in 1915, with Nero playing the role of an older working as a consultant to producers of silent movie westerns who gets involved with racketeers.” Of course, that could change, given that Sayles will now be rewriting. Via Showbiz411 » • • • 25 May 2016 • by Nick Newman •. In possibly the most interesting film news of the day (if not the week), stalwart American indie writer/director (Brother From Another Planet, Lone Star, ) will be writing and directing Lives!, the third installment of the series, once again starring. As reported on A.V. Club, the film is set 50 years after the first film, with now working as a horse handler and extra on the set of 's Birth of a Nation. This seems to tie in with the themes of much of Sayles' indie films dealing with race relations in the Us. Sayles is one of my favourite American directors, creating films such as those above and others like and Go. [Read the whole post on twitchfilm.com.] » • • • 24 May 2016 • by Drew McWeeny •. Hollywood decided to get me all sorts of presents this month, and they’re just spacing them out so I don’t explode from joy on my actual birthday. Today’s delightful news is that is going to direct Lives with returning to play the title character. While I love Sayles and the diversity of his output as a writer/director, I admit a certain fondness for his genre work. When he wrote a script like or or, he didn’t treat those jobs as garbage. Instead, he wrote with the same degree of invention and dedication, and as a result, many of those movies have aged incredibly well, better than a lot of the drive-in fare of the same era. Should have been a bigger movie star. The guy is pretty much just raw onscreen charisma, » • •.
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Both sides get an impassioned defense and yet, like Lebanon as a whole there a whole lot of talk and zero accountability. The Insult, 9.0 out of 10 based on 1 rating. DISCLAIMER:- While the information contained within the site is periodically updated, no guarantee is given that the information provided in this website is correct, complete, and/or up-to-date. The materials contained on this website are provided for general information purposes only. Does not accept any responsibility for any loss which may arise from reliance on information contained on this site. Permission is given for the downloading and temporary storage of one or more of these pages for the purpose of viewing on a personal computer. Provides you information related to movies and TV shows like synopsis, trailers, directors, writers, starcast etc which is collected from various websites. We are not support any kind of download related full movie and tv show here, you can buy movie and tv shows. 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Klikni na sliku i započni gledati film preko filmovi-hr.us foruma. Stefania Rocca, Liam Cunningham, Silvio Muccino aka Il cartaio (2004) ENG version https://www.youtube.com/embed/j9-ZHm-n0RY. You Can't Kill Stephen King (2012) HD titlovano Kategorija: HORROR # Pogleda: 354 Klikni na sliku i započni gledati film preko filmovi-hr.com foruma. Skupina prijatelja odlazi u avanturu, tj donose odluku da posjete jezero gdje horor autor Stephen King živi. Po dolasku, dočekani su od neprijateljski nastrojenih mještana koji mrze buku i njihove ludorije, kao i što mrze odgovarati na pitanja o svom najpoznatijem stanovniku. Kada se mrtva tijela počnu pojavljivati, jedna stvar postaje jasna: sva ubojstva su ravno iz romana Stephena Kinga. Monroe Mann, Ronnie Khalil, Crystal Arnette, Kayle Blogna https://www.youtube.com/embed/wwi_R2jnhb8. 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Nakon što krivo interpretira situaciju odluči je ubiti, ali ne može živjeti s tom krivnjom pa sam sebi oduzima život. No, Julia je preživjela. Tara Reid, Colm Meaney, Angus Macfadyen, Francesc Garrido Clean Break https://www.youtube.com/embed/VuBw4WFxAZo. The Year of Living Dangerously (1982) HD titlovano Kategorija: DRAMA # Pogleda: 189 Klikni na sliku i započni gledati film preko filmovi-hr.com foruma. Guy Hamilton (Gibson) je novinar na svom prvom zadatku u stranoj zemlji. Njegov naizgled lagani zadatak u Indoneziji iznenada postaje opasan nakon što se pojave prvi znakovi bunta komunističke stranke. Guy uskoro postaje iznimno tražen nakon što se sprijatelji za polu-kineskim patuljkom Billy Kwanom (Hunt) koji mu daje informacije i koji ga je upoznao sa članicom Britanske ambasade Jill Bryant (Weaver). Mel Gibson, Sigourney Weaver, Linda Hunt https://www.youtube.com/embed/IL6BqLMZJyA. 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Starman (1984) HD titlovano Kategorija: SCI-FI # Pogleda: 227 Klikni na sliku i započni gledati film preko filmovi-hr.com foruma. Bridges) je na Zemlju došao nakon susreta s Voyagerom 2 i poruke koja govori o miru i poziva u posjet. Doček nije bio miroljubiv kao poruka, po njemu su osuli paljbu, pa se Starman srušio u Wisconsinu. Svoj je privremeni smještaj našao u domu Jenny Hayden (K. Allen) koja je nedavno postala udovica.. Jeff Bridges, Karen Allen, Charles Martin Smith, Richard Jaeckel. 104min Traveling Route 66, a charismatic preacher, Reverend Johnny Jones, and his seductively beautiful Latina girlfriend, Rebecca, find their lives spiraling out of control as they travel from small town to small town; running their scam on the churches they encounter along the mother road. He’s able to convince people he has the power to heal their illnesses and solve their most dreadful life experiences. But what the couple think is their scam begs the question does he really have the power? It’s a question that haunts him and only intensifies his inner demons. Scarred for life, his childhood abuse from his evil father won’t soon go away. He finds temporary refuge at the bottom of each bottle of tequila and endless grams of cocaine that goes up his nose. His childhood demons will not subside, neither will his vices. In the end, his powers serve as a blessing and a curse. Hang on tight while we follow this perilous couple’s journey into the abyss of miracles and tragedy. ![]() Movies are one of the best time pass during weekends, holidays or spare time. People have busy schedules and therefore it may not be always feasible to go out for a movie to a theater. The better alternative to this is streaming The Strange Ones full movies on the internet or you can also download movies and store in your device to watch movies later any time you want without internet. Most of the people prefer watching The Strange Ones online as it saves a lot of time and money. ![]() ![]() Streaming movies online is actually a fun. You just need to search for your favorite movie and and click on the play button and movie will start playing, all you need is a good internet connection. MovieNoe lets you to stream movies online. MovieNoe has a nice collection of movies and you can easily search for your favorite movies using its search bar. The site is completely focused on improving the user experience so you will not see irritating advertisements as well while streaming. It also allows you to watch movies online without registration.:). ![]() ![]() 'The Strange Ones' is an assured movie that makes a number of big, bold choices with confidence (such as the card-shuffling editing, also by the directors. Mysterious events surround two travelers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to. The Strange Ones is a solid movie on first watch that becomes a seriously good movie on second watch. Maybe that's a poor framework for an endorsement, but the film is more than the shock of its climax. ![]() ![]() Rhino Records' DVD of Have a Nice Day is more fun than its packaging would lead one to believe -- it has one of the dullest and least attractive covers of any legitimate music DVD this reviewer has seen, even if it does make use of the smiley-face emblem that identifies the series. But the inside is almost all music video gold, with something for fans of almost every white rock genre (and even for lovers of classical music -- see 's 'With You There to Help Me'). The disc, comprised of two ten-song video volumes issued separately in 1998 on tape, is an attempt to extend the label's eminently successful CD series into video territory. ![]() ![]() ![]() In a sense, it's a natural extension, given that the 1970s were the decade in which even the most studio-bound artists felt compelled to make appearances on television promoting their work (or, at least, provide performance videos), and there were dozens of venues around the world for such appearances, ranging from renowned, venerable German media institutions such as Beat Club to long-forgotten syndicated American series such as Now Explosion, though most of what's here comes from the former and its similar German TV series, Musik Laden. One only wishes that the disc's producers could have made video volumes that paralleled the actual CD series song for song, but as that was probably impossible -- imagine tracking down some of those performers for clearances -- this disc still has considerable virtues on its more modest scale. The conceptual clips of ('You Ain't Seen Nothin' Yet') and ('All Right Now'), in arty visual productions, are kind of expected, but there are also such jewels as (from Beat Club) doing a live rendition of 'Come and Get It,' a live, fully miked, and totally uncensored clip of, from Musik Laden, doing 'The Cover of Rolling Stone,' and (also on Musik Laden) doing a charmingly intimate rendition of 'Brand New Key' with nothing but a second acoustic guitarist accompanying her. Acquits himself well on 'Rockin' Pneumonia & the Boogie Woogie Flu' and -- still a trio -- turns in an exquisite 'Ventura Highway,' while give a performance of 'Rich Girl' with enough of an edge of involvement to breathe some excitement into a song that this reviewer long believed dead to him. And, circa 1971, does an unexpectedly good-sounding job on 'With You There to Help Me.' On all of the material, the sound has been remastered from first-generation sources, so that elements such as 's crunchy electric guitar are right out in front, every bit as exposed as 's voice and flute -- and on that particular clip, pianist, then new to the band, also gets showcased in an extended coda longer than the song itself, both solo and in a short pair of duets with on flute, joined briefly by on drums. The volume two material starts in a raw and exciting mode with 'Eighteen' by, in a performance designed to terrify parents and delight teenagers, but arty enough in its staging to hold anyone's attention -- 'A Horse With No Name' gets a pleasantly informal acoustic performance by the trio version of. But the real treat in this half of the program is a beautifully expressive version of 'Look What They've Done to My Song, Ma'. Do a fairly perfunctory rendition of 'China Grove' that's lacking some subtlety, while ' 'Sara Smile' gets an excellent performance. 's 'Year of the Cat' gets a beautifully extended rendition that gives the members of his band a chance to stretch out on solos that are more interesting than the song itself. 's 'Warm Love,' featuring on a saxophone break, is only marred by a few too many tight close-ups., circa 1970, again occupies the penultimate spot with 'Nothing Is Easy,' and the disc closes with ripping their way through 'Blitzkrieg Bop' -- talk about leaving audiences wanting more. The disc opens automatically on a simple menu that includes 'play' options for the two separate video programs and also access to the individual clip selections. Product Description For a mere ten years, the 1970's went through an incredible amount of diverse pop music phenomenon--from stadium tock to disco. A video complement to Rhino's fantastic audio retrospective, HAVE A NICE DAY attempts to provide a comprehensive look at the music of the 1970's. A wide array of music styles are included, from the emotive love songs of Bonnie Tyler to the anthemic rock of the Bachman-Turner Overdrive, to the horror metal of Alice Cooper. Find album reviews, stream songs, credits and award information for Super Hits of the 70's: Have a Nice Day [DVD] - Various Artists on AllMusic - 2001 - Rhino Records. Standard Screen; Soundtrack English; Dolby Digital 5.1 Re. Super Hits of the 70's: Have a Nice Day movie was released Jun 12, 2001 by the Rhino studio. Best Buy has honest and unbiased customer reviews for Have a Nice Day [Japan Bonus Tracks/DVD] [CD]. Read helpful reviews from our customers. Related Posts: Bon Jovi – This House Is Not For Sale {Deluxe London Symphony Orchestra – Bach – Alice Cooper – Billion Dollar Babies (2000). Super Hits of the 70's: Have a Nice Day DVD movie video at CD Universe, For a mere ten years, the 1970's went through an incredible amount of diverse pop music. Other artists featured include America, the Doobie Brothers, Free, Hall & Oates, and Jethro Tull. Standard Screen; Soundtrack English; Dolby Digital 5.1 Re. |
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