Learning english by watching film really is a good way to improve your listening skill but there could be one thing that should be considered, it’s the subtitle. When watching film or video, you must try to understand what is going on without subtitle or using in low frequency. Listening and looking at subtile at the same time is a bad way because you will tend to use your eyes instead of your ears because the words or sentence of dialogs specifically display on screen but the sound doen’t. ![]() Eventually you’ve been training your reading, not listening. So, in my opinion, if you can not understand more than 50 percent what “they” are saying, you should try a litle lower level (maybe it’s also another film or a other practice that works for you). ![]() ![]() Search the world's information, including webpages, images, videos and more. Google has many special features to help you find exactly what you're looking for. The Late Hero Nguyen Van Be Reads About His Own Death. JUSPAO Leaflet # 66. The North Vietnamese Affairs Office of the Joint United States Public Affairs Office. ![]()
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To view it, This book was- *wait a moment* Let me bang my head until the author proves that there is one more book to be published for us readers, or if this book was just a really, really good joke. Do not tell me that this is the last book of this trilogy. Do not tell me that the author just didn't answer all the questions we were waiting for. And please do not freaking tell me that this is what we readers are getting after being such a fan of both The Maze Runner and Scorch Trials books. ![]() After happ This book was- *wait a moment* Let me bang my head until the author proves that there is one more book to be published for us readers, or if this book was just a really, really good joke. Do not tell me that this is the last book of this trilogy. Do not tell me that the author just didn't answer all the questions we were waiting for. And please do not freaking tell me that this is what we readers are getting after being such a fan of both The Maze Runner and Scorch Trials books. After happily reading The Scorch Trails and then excitedly waiting for this book for about 6 months, I yet again screamed with happiness (as I also did with another book ) when I got to read it. The story started with a good potential, it was interesting, I was feeling it. I was reading it non-stop and then suddenly in the middle of no where I am like, 'WTH is going on?' FAIL 1: CHARACTERS, CHARACTERS, CHARACTERS! I do believe Thomas here just had this emotion for everything. 'He was my close friend' From deaths to betrayals to everything, he just considered every living human being as a friend. He could act like he loved people or atleast cared about someone just more than friends. And don't even get me started on Teresa. To be totally honest, Teresa is just like a random stranger on the road I see everyday. I am either proud or totally miserable to say that I don't know her at all. She came and she went and I was just like, 'Pfft. And then Brenda. Weren't you just a side ass character introduced in the second book? Then honey, why? WHY are you the main heroine here? The only character I liked? Minho, Jorge and Newt. Minho for being the best of the best, Jorge for always being there and Newt for never giving up. The story till Newt was awesome. FAIL 2: Y U GIVE SO MANY DEATHS? Now readers who didn't read this book might find this fail spoiler-ish. First of all. Death of Newt. I think it was the most sensible one. I felt for that guy and I am so happy to say that James Dashner did a really good job in his ending. In simple words, I loved it. But, then comes Teresa. She was the main heroine! How in the world can you kill the main heroine and replace her with a side kick? I do NOT approve this. And then 300 people killed out of 500? That was a bit unfair. Atleast the author could have saved 300-50 something people. I miss Chuck. =[ FAIL 3: WHERE ARE MY FREAKING ANSWERS? How could this book even end without satisfying the readers? (1)I wanted Thomas to his memory back so we could learn exactly what he and Teresa did before the Trials and why were they specifically chosen. Hell, I even wanted Minho's and Newt's memories back and Brenda's past. (2) How in the world did they end up in a green paradise with a hundred or so immunes so they can start over? What about the rest of the freaking world? ![]() Diverta Online iti propune cartea LABIRINTUL. TRATAMENT LETAL (VOL 3) de JAMES DASHNER. Cu Diverta Online ai cartile editurii Litera la preturi speciale. Labirintul – Tratament letal James Dashner Editura Litera Titlul original: The Death Cure Traducerea: Bianca Paulevici 298 pagini Cartea face parte din seria Labirintul (The. Labirintul vol. 3 - Tratament letal (The Death Cure) - comanda online - Pret: 15,84 (45% reducere). Dec 07, 2017 Din 26 ianuarie 2018 in cinematografe. Finalul epic al seriei Maze Runner, Thomas conduce grupul sau din Luminis in ultima si cea mai periculoasa misiune. Maze Runner: The Death Cure - Labirintul: Tratament letal. Distributie Thomas Brodie-Sangster, Dylan O'Brien, Kaya Scodelario, Walton Goggins, Rosa Salazar. ![]() (3) Who is this Paige Chancellor? Why didn't she go to paradise with them? I love James Dashner's writing, I liked the book, don't get me wrong but I am really amazed at people who gave this book 5/5 stars. ![]() I am very sad to say this but yes, overall, this book didn't satisfy me and I am disappointed. Especially after being the last book of such an amazing series. But then, I will still miss the characters and this story will stay with me forever and always. Well, that was a major disappointment. Was it just me or did it feel like the author had absolutely no idea where to go with this story? I still feel like 90% of the book was left unexplained. And for me it was completely a cop out [to have Thomas refuse getting his memories back. If Thomas, our MC, doesn't remember then the author doesn’t have to bother thinking up an explanation ]. I'm not even going to bother listing all the questions I still have, because they're n Well, that was a major disappointment. Was it just me or did it feel like the author had absolutely no idea where to go with this story? I still feel like 90% of the book was left unexplained. And for me it was completely a cop out [to have Thomas refuse getting his memories back. If Thomas, our MC, doesn't remember then the author doesn’t have to bother thinking up an explanation ]. I'm not even going to bother listing all the questions I still have, because they're numerous. And I still say that there was absolutely no point to Teresa! Perhaps in book two she had more action, but nothing happened that couldn't have happened with another character. This was just one more thing that I thought was just tossed in there. They were interchangeable. Almost as if Dashner just felt like he needed more bodies in his story. I mean, these characters were SO interchangeable that for a while there [I was convinced that Brenda WAS Teresa and it was all just another elaborate WICKED hoax on Thomas! The Teresa that he thought was Teresa was really a fake, and Brenda was really Teresa inside. Because otherwise why were they so easy to flop back and forth ]?! Personally, I think that MY idea was better than the one in the book. At least it would have offered some type of explanation. Something for me to bite onto. Another idea I came up with was that [Chancellor Paige was really Thomas's mother. Because why else were we getting glimpses of him and his mom. To show she loved him? Yeah, well that was already assumed ]. Dream sequences should have a point! BOOKS should have a point! Um, what did I like about the book.? Minho, he was always a bright spot. Thomas was alright, I guess. I liked Newt. [I thought his death was sad but good. ] I like Jorge. Yeah, that's pretty much it, folks. In fact, for the last 25% all I could do was keep reading because then it would END. Can you tell I'm upset? Yeah, I really am. Maze Runner was good. But sadly this series got progressively worse. Someone, anyone, is anything at all answered in Kill Order? Because if not, there's no way I'll bother reading it. I apologize, because this was more rant than review. I'll try to make it up to you. I just read the synopsis on B&N's website and it sounds totally EPIC! *** 5th most popular book this month. Alright Dashner!!! *** DANG I actually did not fancy this book at all. I hate to say it but I was extremely dissapointed by the finale of The Maze Runner series, The Death Cure. It was written well like the other books but I have to say that the plot and the end were terrible. I can't even describe how dissapointed I am because I l GAAAAAHHHHHHHHH!!!!!! I just read the synopsis on B&N's website and it sounds totally EPIC! *** 5th most popular book this month. Alright Dashner!!! *** DANG I actually did not fancy this book at all. I hate to say it but I was extremely dissapointed by the finale of The Maze Runner series, The Death Cure. It was written well like the other books but I have to say that the plot and the end were terrible. I can't even describe how dissapointed I am because I love the first two books and I had faith that James Dashner would be able to make this last one just as awesome or better, like all finales should be. Well, he has failed at doing that, in my opinion. First of all, I absolutely HATED how Teresa, whom I love so dearly and wanted Thomas to love just the same, was practically NEVER in this book. She was probably only present for a total of like 15 pages scattered throughout the book. She served almost no purpose in the book other than to cause Thomas to feel a little betrayed and to save his life in the end which any of his other friends could have done, so nothing really special on her part. She was a very promising character and she could have brought so much to this book, but it seems like Dashner just decided to throw her out because he couldn't see those possabilities. I mean, come on, you can't just throw a main character out like that! Like they were never important! This brings me to Teresa's replacement character--Brenda. Oh, dear lord, kill me already, BRENDA. She was so annoying to me. She brought hardly anything to the story except a little sexual appeal for Thomas, especially in the book prior to this one. Her and Thomas had absolutely NO SUBSTANCE to their relationship but kissing and hugging and flirtitious comments. There was no passion. But wait--didn't Thomas have a passionate relationship with someone in this series before.?Who was it with. But NOOOOOOOOO, she had to be thrown out of the picture for who knows what reason. She and Thomas could have had such a strong, passionate realationship that would grip the reader's hearts just as strongly. Honestly, why in the world would Dashner think that his readers would want Thomas to be in a shallow relationship over a strong, passionate, dramatic one? And then Dashner decides to put the cherry on top and KILL POOR TERESA!!! And he only spent half a page on it and then it was over with and Thomas hardly suffered a bit. It was in no way dramatic enough and in no way served Teresa right. I mean, a tragic hero is one thing, but just because you save someone's life doesn't mean you're the most amazing hero in the literary world. It happens all the time. But Dashner didn't make Teresa into the amazing heroine she could have been. He didn't give her a chance. In addition to the awful ways Dashner used his characters--or lack of usage thereof--I also didn't really care for the events that happened in this book. It seemed like many of them didn't push the story toward the resollution. I can't really explain that, but I just felt bored a lot. The story could have been more character-driven. The only part I rally liked in this book was Newt and his whole deal and how he ended up getting killed. It was the most emotional part of the book and it was probably the single part I wouldn't have changed. Other little things I didn't like: *How Thomas never got his memory back so we could learn exactly what he and Teresa did before the Trials. *How WICKED was neither a good guy or a bad guy. It was just a nothing that was trying to be a good guy with the best intentions but went about them in the wrong way. That is so cliched. *How we didn't get to learn more about that Paige Chancellor. I got this giddy hope near the end that she'd turn out to be Thomas's mom or something. I like surprises like that, and this book lacked them big time. While reading this I actually though of so many twists that could have happened and could have been awesome. But no, Dashner had to be un-exciting and predictable. *It seemed like there were some mini themes in this book that amounted to nothing. Like how it seemed like Thomas never wanted to become a killer, even of Cranks, but he did anyway and nothing was said about that matter after that. *What was with Newt's note? I mean, why couldn't he have just told Thomas what he wanted so there wouldn't be a problem with him knowing when to read it? I thought the note could have been more life changing and revealing about the plot or something and throughout the whole book I was thinking that woud happen but then I was so dissapointed that it didn't really affect the story at all except for Newt dying. There was pretty much no reason for the note. All in all, James Dashner not only killed off the great characters, but he killed the plot too. This story could have been amazing but all those open ends and great oportunities to really let this book shine were thrown out, left hanging. It was well written, but it was a terriblee ending to a good story. What a shame. ] Yeah so I'm sooooo steaming mad that this book didn't pack the punch that it should have and easily could have had. I feel like the whole Maze Runner story was awesome but could have been told much, much better. This review has been hidden because it contains spoilers. To view it, A message to everyone reading this review: Hi. It's nice to discuss The Death Cure with all of you. There is a smorgasbord of grammatical mistakes in my review, and as I look back on what I wrote, I find myself disagreeing. When I have time to re-read the Maze Runner trilogy and its prequel, I will review each book again, and hopefully I will do justice to what is indubitably one of the best cabin slash dystopian novels I've ever read. I'll still leave this review up, and if you'd A message to everyone reading this review: Hi. It's nice to discuss The Death Cure with all of you. There is a smorgasbord of grammatical mistakes in my review, and as I look back on what I wrote, I find myself disagreeing. When I have time to re-read the Maze Runner trilogy and its prequel, I will review each book again, and hopefully I will do justice to what is indubitably one of the best cabin slash dystopian novels I've ever read. I'll still leave this review up, and if you'd like to leave a comment, I'd be happy to respond. PS, when I read my review earlier, I realized I sounded. Um, let's say slightly immature. And I glossed over the ideas behind the story itself. I was once very attuned to the *characters* in a novel, but now find myself enjoying the beauty in the plot and philosophies of novels. So when I re-review this book, hopefully I'll sound less like a maniacal fangirl. That's about it for now. Spoilers are ahead. For those who have waited for so very long, my review is finally here. The Death Cure's end gave us a new hope, didn't it? A hope for survival. It was plainly obvious to me that WICKED was bad, but in the end, they did (or Chancellor Paige did) one thing good--they transported our Gladers, Group B-ers and the rest of the Munies to the last Paradise on Earth, the last place where they could be free and not ruled by an evil corporation claiming to do good. I couldn't help but to smile when I read the last few pages of The Death Cure, though it admittedly was tainted by a frown. The without-a-doubt epic saga concluded with death, and while expecting it to be this way, I did not want it. I did not want a 'happy ending' for this story, because after all that Thomas and his friends had been through, there was no possible way for it to end happily. I just wish that the three main characters who died. Didn't have to. Chuck, of course, died during The Maze Runner. He symbolized youth and innocence--2 things that *did* die inside the Gladers by the end of Book One--and it's hard to smile when youth and innocence die. Newt and Teresa died in The Death Cure. Newt symbolized friendship and loyalty, even when the whole world went insane. His death did not have me producing tears, for it was a mercy, but he should not have had to die. Shame on WICKED, not on Dashner. Newt wouldn't have been so Gone had they not made him that way. Teresa's death upset me. I couldn't 'see' it coming, but I did feel it coming. I hated her as Thomas did when she betrayed him; loathed her as Thomas did when she tried to convince him that WICKED was good, and that she was sorry. But ultimately, as with Thomas, I forgave her. Just in time for her to be crushed by the ceiling of Wicked as the Munies were escaping. Really, though, her death did not quite 'surprise' me. Thomas gained closure regarding his previous best friend, and closure is only had in death, be it a metaphorical death or not. I wanted none of them to die; they did. There is nothing more to say on this count. The premise of The Death Cure can be defined in three words-- death, rebellion, and insanity. Looking at the Flare-ridden world for the first time, it hit home for both Thomas and myself that a cure was needed desperately, but not by WICKED's means. No 'good' company dedicated to the preservation of mankind does everything it had done to the Gladers and Group B. Besides, I think they were looking for a cure the wrong way (obviously). You can't torture a cure out of immune kids with memory loss--that just doesn't work. Really, the way for a cure to be discovered would be to examine the disease, and find a way for it to stop spreading and wreaking the horrific damage. But on that note, the damage of the Flare confused me. A man-made disease based on controlling population suddenly turns into a pandemic that makes people become crazy zombies? And based on that hole in the plot, another one sprung out at me--why, exactly, were we readers told that the sun caused the Flare, and then have the information revealed that it was actually mankind? Was this 'WICKED telling the kids and Thomas, which is how we know', or was it just poor writing? I sincerely hope it was the former. Hey, by-the-by, how exactly did the sun flares fit into all this anyway? Like I just said, everything seemed sun-flare related, and then we were just told that Nope, sorry, we lied. Mankind did it all. Didn't mean to allude ya. By the end, I felt like there were numerous plot holes and misgivings, and this was one of them. Aside from the fact that I don't like plot holes, nor do I like characters I like dying, I did not like how it was essentially just Thomas in the third book. Minho (who I absolutely adored), Brenda (who I'm kind of mad at, because the epilogue revealed her to be a kind of traitor) and Jorge were there throughout the book, I guess, but it felt like they were moved to the sidelines a bit, you know? I did not like the fact that Aris was only mentioned, what, four times total in the 'Cure? I did not like the fact that Group B suddenly vanished from the plot. I did not like Teresa's explanation for why they left the WICKED compound in the beginning sans Newt, Thomas and Minho--it made no sense. Also--uh, if lots of brain activity make the Flare get worse inside the killzone, then why, exactly, did Newt not go crazy in the first two books? The sun couldn't really activate it, since Newt had spent two weeks running a hundred miles in the Scorch to get to the safe-zone, and he didn't go crazy then. So how exactly *DID HE GO CRAZY?!* It was like 'Hey, guess what, Newt, you've got the Flare', and only after this announcement, for no real reason, did Newt go crazy. What do you think--Plot hole? Or the doing of WICKED? But I did like the book as a whole. James Dashner did a fantastically fantastic job of writing. He made me feel every single experience along with the characters, so that I hurt when they hurt, survived when they survived; I literally felt *everything* they felt, throughout all of the series, which made it so fantastic. Because of the fact that I did not re-read the first two books before reading this one, I cannot say that I would feel towards The Death Cure what a person who did read all three in a row would feel. This was an excellent ending to the series, I think (again, I wanted happy endings for all, but hey, that just wasn't feasible), but this view could almost certainly be different for that person. I hope that those of you who read the three books in a row will appreciate them the way I do, but I can only hope for this. Finally, I mention the irony of the title with the ending of the book. The note Chancellor Paige left to the members of WICKED finalizes the fact that yep, the world's going to hell, and there was no cure, so only the Munies can survive. (Though I am curious--there is bound to be hundreds more Munies left outside the hidden paradise Thomas and crew inhabit at the end of the Death Cure, so what happens to them? Could there possibly be a spin-off series relating somewhat to this, or to the eventual reunion between the Paradise Munies and the Wasteland Munies [because yeah, undoubtedly there'd be a reunion]?) Thus, the only cure for the Flare is death. Ah, irony, how we so love you. 1.5 stars It's a very old axiom, but do you believe the end can justify the means? When there's no choice left? No, I do not. Especially when the end, which in this case is the supposed resolution of 900+ pages' worth of suspense and mystery, ultimately ends up being bullshit. There is no explanation for anything and what little there is turns out to be the biggest fuckfest I have ever had the misfortune to read. The Maze Runner trilogy started off with so much potential. Yes, there were par 1.5 stars It's a very old axiom, but do you believe the end can justify the means? When there's no choice left? No, I do not. Especially when the end, which in this case is the supposed resolution of 900+ pages' worth of suspense and mystery, ultimately ends up being bullshit. There is no explanation for anything and what little there is turns out to be the biggest fuckfest I have ever had the misfortune to read. The Maze Runner trilogy started off with so much potential. Yes, there were parts in that grated on me like a wayward blender, but I lapped it up and dove into the next installment, eager as a three-month-old puppy. Disappointed me greatly, still I was like, 'It's okay, it's cool! The third and final book will make up for it. A little background information before this review spirals out the football field of sanity: Thomas and the others have gotten out of the Scorch and back in Wicked's headquarters. They are then offered a chance to get their memories back in order to fully complete this experiment and extract a cure for the Flare. Now from what I remember of Thomas from the first book, he was Alice in a dystopian Wonderland. Curious and always asking questions: 'Where are we?' , 'Why are they doing this?' , 'Just answer my questions, dammit!' Armed with this knowledge, you'd think that Thomas would be real eager to get his real memories back and figure out why his past self justified and conducted these trials in the first place, his relationship with Teresa, and who his mother is. In what I can only fathom as a bullshit way to drag out intrigue and save time in creating a backstory, the author makes Thomas not want his memories back because Wicked is evil, wah, wah, wah, and we can't trust anything they say! In fact, we'll escape! Yeah, that's what we'll do! Never mind that getting back your memories is the sole thing you've been hankering for since you woke up from the Box months ago. Never mind that by doing this, you could potentially help Wicked discover the cure and save millions of lives. Never mind that [ your friend, Newt, has the Flare and if you could pull your head out of your selfish asshole for one second, you could save him. ] Oh no, let's go on a road trip to save me and get all that nasty, manipulative Wicked tech out of my brain, which incidentally, has never fully been explained. Let's make it all about me, me, me. Who the fuck's that? The ending is the most selfish, stupid decision I have encountered. Was better than what happened if you can believe it. [ He hoped that whatever they were, they'd be isolated and safe while the rest of the world figured out how to deal with the Flare, cure and no cure. He knew the process would be long and hard and ugly, and he was one hundred per cent that he wanted no part of it. So as long as his Majesty Thomas is alright, the whole world can go fuck itself, am I right? I wouldn't be so furious with Thomas's decision if it wasn't so at odds with his personality. This is the same guy who risked his life by going out into the Maze at night to save two people he barely knew. Sure, he went through some shit because of Wicked, but this is thousands, millions of innocent lives we're talking about. Harry Potter wouldn't have stood by idly if he knew sacrificing himself would help. Actually, that's exactly what he did in the Deathly Hallows. Wouldn't have allowed this to happen either. He'd grumble and grouse and add a smart-alecky remark, but he'd do something about it. He would waste valuable time reserved for mounting a barricade against gods in order to move unconscious passersby out the street and harm's way. That's what heroes do. And Thomas is most assuredly not one of them. I am ashamed to have compared him to those two in my review of The Maze Runner. And how the fuck is preserving two hundred Immunes supposed to rebuild humankind? Say that by some miracle no one stumbles across them in this popped-outta-nowhere greenland. But Paige basically set humanity back by hundreds of years. I recently watched a documentary that says thanks to specialization, humans are extremely codependent. It takes a team of at least a hundred people to create a computer mouse. You need someone to pipe the oil up, to turn the oil into workable plastic, to slice it into pieces, to create metal springs or whatever it is that makes the button click. Not one person on earth can make a computer completely from scratch. And as smart as Thomas and the others are, I doubt they know how to make one either. So all that knowledge is essentially lost. Way to think ahead. ] And like I said, there is no proper explanation for the stuff that has been plaguing readers since day one. All that build-up with flashbacks of Thomas' mom and tantalizing hints of Thomas and Teresa's relationship and we end up with diddly-squat. Nothing is resolved, not even the love triangle. [Teresa's dying is cheap. Thomas doesn't have to decide and stays the aw-shucks good guy. ] To this day, I still don't understand know how shoving Variable after Variable before Thomas and Co. Is supposed to find the cure. Wicked mentioned it's to study their brain patterns, as per to how they react in different situations. However, as I understand it, immunity is coded in DNA and our genetic makeup. Studying behavioral reactions is in the field of psychology or neuroscience, and has nothing to do with why you have blond hair. Wicked should have been extracting bone marrow or blood instead conducting the Hunger Games 2.0. The way I see it, the author only did the Lord of the Flies thing to generate action and excitement. Entertainment factor over proper research/common sense; not your best decision. Newt was the only thing tolerable about this book. He had a proper character arc, unlike poor Minho, who was shoved to the side and had nary an important scene. If only he'd had some impact on the ending. It sounds callous, but you took him out of the picture, the plot would still run exactly the same. [Why give Thomas' close, personal friend the Flare, if not to make Thomas see what it does to people and he has to help find the cure? ]He was only there to generate a few tears (none were shed) and make Thomas into the hero again (and not a single fuck was given about our resident special snowflake). On a slightly irrelevant and happier note, this is the first series in which I have written a review for every single installment. I haven't felt this proud since I got my first troll. I'm a professional reviewer, Ma! This review has been hidden because it contains spoilers. To view it, Ok, first off I'm going to say that I loved Maze Runner and Scorch Trials. I've been waiting for this final book for a long time. The author does a great job with fast-paced writing and action-packed scenes. The mysteries and puzzles were what intrigued me about this trilogy in the first place. Right as you're trying to get one thing straight in your head, another crazy mind trick gets thrown at you, making you shake your head and ask a bunch of questions again. So I was so excited to finally re Ok, first off I'm going to say that I loved Maze Runner and Scorch Trials. I've been waiting for this final book for a long time. The author does a great job with fast-paced writing and action-packed scenes. The mysteries and puzzles were what intrigued me about this trilogy in the first place. Right as you're trying to get one thing straight in your head, another crazy mind trick gets thrown at you, making you shake your head and ask a bunch of questions again. So I was so excited to finally read death cure and get those answers. Okay.now, the way this book failed for me was twofold. First, the characters. I loved Thomas. I loved that he was smart and selfless and loyal and compassionate. But he lost all of those qualities to me in Death Cure. He didn't trust Wicked. Ok, I get that--but to not want to get his memories back? He just chose ignorance over knowledge and I don't think that was true to his character. Then he rejected Teresa the whole time which I felt was unwarranted since after scorch. I think the author did their relationship a complete disservice. I'm still mad about it. I never liked Brenda and I'm disappointed that Thomas ended up with her. I mean, come on, she obviously had a double agenda the whole time, and yet he trusted her and not Teresa. Okay, and then there was Minho. He used to be funny, despite the circumstances. Nope, no more. And then there's poor Newt. His storyline was good, but the final scene between he and Thomas was just as quick as the rest of the book, and it was a shame. Fast is good, but not when the scene is as meaningful as that one. Oh and his note? I thought it was a cop-out. And I'm supposed to believe that Wicked would just let Thomas wander around Denver and not come get him because the virus was too rampant? They supposedly have unlimited money and resources, and we're led to believe they watch his every move, yet when he returns to Wicked at the end, he just goes to the bathroom and plants the disabling device? No one notices? And then when he's getting the immunes out of the maze, why didn't the other Gladers try to leave before? If everything was disabled, why wouldn't Gally and frypan and the B girls try to escape? I could go on and on. Okay, now the second reason the book failed to me. The questions. No more answers? No explaining why Thomas was chosen or how he trained the Creators. Nothing about he and Teresa or their parents or chuck or how the rest of the world is. I mean, the virus makes people zombies and a Candidate's brain was supposed to cure that? And then they just end up in a green paradise with a hundred or so immunes so they can start over? And the chancellor just happened to save him right before his brain removal and leave him a map but doesn't go to the paradise herself? There were so many things that didn't add up. So many questions that were answered haphazardly or not at all. Oh and I could have done without Thomas and Brenda staring off into the sunset at the end. I so don't like her. Now they're in another Glade all over again. At least before, I actually liked Thomas. I'm so disappointed because I wanted so badly to like this.I'm totally bummed:(. This review has been hidden because it contains spoilers. To view it, hmm. Where to begin. First, the title: The Death Cure. A little misleading perhaps? There's NO cure. There's not even hope for a cure! Let's just all give up on our ridiculous plan to save the world that ended up having NO medical support at all! La de dah de dah!! The death cure my foot. Second, this book really got me thinking. Why the heck is Thomas the almighty one? I don't know how old he is, but I'm just going to go out on a limb and guess 16ish. Okay, so stick with me o hmm. Where to begin. First, the title: The Death Cure. A little misleading perhaps? There's NO cure. There's not even hope for a cure! Let's just all give up on our ridiculous plan to save the world that ended up having NO medical support at all! La de dah de dah!! The death cure my foot. Second, this book really got me thinking. Why the heck is Thomas the almighty one? I don't know how old he is, but I'm just going to go out on a limb and guess 16ish. Okay, so stick with me on this one. Thomas is a young teenager who is immune to the flair. He works at WICKED because let's be honest, what major scientific/medical research facility doesn't hire young boys?? The Creators die somehow and for who knows what reason, Thomas and his equally young friend Teresa get to be in charge??? And are just the smartest leaders WICKED could have? HE'S NOT THAT SMART! Third, RIP Newt. But don't worry, Thomas will remember you every paragraph or so and his chest will ache or clench or whatever the heck it keeps doing. Fourth, no one knows who Chancellor Paige is. Convenient of her to show up though. Fifth, (are you getting tired of my counting?), I'm so glad we got to listen to Thomas complain about having no memories for the first two books and then when he finally gets the chance to get them back, he super wusses out and says no. LOVED that part. Totally ensured I'd get to read more of the stupid vague sentences that have no reward at all like 'it reminded Thomas of a memory that he couldn't quite grasp,' or 'it frustrated him that he couldn't remember why this detail stuck out to him.' Totally hooked me in with those show stoppers. (insert eye roll) Sixth, lots and lots of death. The end has a fleeing scene similar to the first one and it's hard for me to imagine it being realistic. Over 500 people tried to escape and only 200 made it?? Come on, 300 people died? In a chapter where they're escaping nothing more than a crumbling building? Those are some very poor statistics. Seventh, Peace out Teresa! You were replaced by Brenda.in the second book. You really had no other option but to be killed. No hard feelings. Rated: 1 to 1.5 stars Ever since I picked up the first book in this series, I've thought to myself: This book is only good if the ending is good. Turns out it was. Nothing surprising and lacks substance. Major complaints: -The author did not explain WHY they need to put all these subjects through all these Variables. Only a very loose and generic rationale was provided. It just seems like a very poor excuse on the author's part to throw in some action and bloodbath into the series. There is absol Rated: 1 to 1.5 stars Ever since I picked up the first book in this series, I've thought to myself: This book is only good if the ending is good. Turns out it was. Nothing surprising and lacks substance. Major complaints: -The author did not explain WHY they need to put all these subjects through all these Variables. Only a very loose and generic rationale was provided. It just seems like a very poor excuse on the author's part to throw in some action and bloodbath into the series. There is absolutely no purpose to any of those attacks and traps happening. Does not add to the story at all. -Thomas never got his memory back. Just another device to keep the reader in the dark. I mean, why else would anyone read this book until the end otherwise? -Newt's note and its request. You would think the content is something IMPORTANT. Other than for it to be used to bait the readers to read on, it served no purpose. So pointless. Debated between giving it a 1 or 2 stars, but in the end, because it just failed so miserably, I figured people should be warned. Things Dashner does well: Storytelling. Making up this world and coming up with all the plot twists are well done; he's a very talented tale spinner. He's great at creating suspense, making the next plot twist come at the right moment, and making you want to go on to the next chapter. A lab-created zombie virus and an overzealous world organization with too much power: fantastic ideas. Some of the plot twists and answers I questioned, but overall it was a fast-paced tale that easily drew me in. Wh Things Dashner does well: Storytelling. Making up this world and coming up with all the plot twists are well done; he's a very talented tale spinner. He's great at creating suspense, making the next plot twist come at the right moment, and making you want to go on to the next chapter. A lab-created zombie virus and an overzealous world organization with too much power: fantastic ideas. Some of the plot twists and answers I questioned, but overall it was a fast-paced tale that easily drew me in. What Dashner does not do so well: Character development. This is the third book in the series and I still have no idea what most of the characters look like or what they are about at their core. They all seem rather the same, especially their short tempers. The book is about plot more than character so for the most part I gone on with the shallow characters, but it would have been nice to get a better feel for who I was caring about while reading about all their close calls with the Cranks. I got lost a lot in this book. I know some of that is me forgetting details from previous books, but most of it was my inability to keep up with what Dashner was trying to describe. I was especially lost in the conclusion, partly because things weren't described well, but partly because I didn't feel like I all my questions were answered. [How exactly did the wall convert into an entrance to the Flat Trans? I get that it was some form of liquid solid, but the fact that it opened up into a new place sounded more like magic than advanced science. How could this paradise be disconnected from the rest of the world? Couldn't they keep walking and end up in someplace overrun by Cranks? Couldn't the Cranks roaming around the earth eventually wander into them? Also, what ever happened to the people in Maze B? Did they just head to the Maze A and save those people while forgetting all the people in the other maze? Why didn't they split up? Why didn't someone lament about the other maze and the hundreds of immunes dying there? It was dropped from the story. And it wasn't the only loose end I still had questions about. I liked that the conclusion to the trilogy wasn't a happily ever after. There wasn't an eleventh hour cure that was going to fix everything when the world was way past Gone, but I did feel like it happened too quickly without addressing all the loose ends. And one last complaint that we discussed at my writing group. How come Thomas never got his memory back? We've been wondering what's in there since the beginning of Maze Runner. We've waited all this time to learn Thomas' involvement in Wicked and especially at the beginning of this book where he fought so hard against getting his memory back and Wicked fought so hard to give it to him. We were teased (from the very first book) with secrets and information to prove Wicked was good and find out who Thomas had been and how he's changed, but Dashner never came through. ] ETA: I just found out *spoiler* has nothing to do with Thomas and Teresa. *spoiler* Seriously?! The only reason I was considering reading it was to find out what Dashner should have written here. But instead of milking one more book out of the trilogy, Dashner has milked a prequel to set up the milking of yet another prequel. It irritates me when author's milk a story idea instead of moving on to the next one. That information should have been in this book and I'm not reading a lot of new books for a little bit of information. I will not be reading anything else that has to do with the Maze Runner trilogy. I honestly expected much more than this. It was utterly mediocre from the beginning to the unsatisfying ending. This series started off so good with the first book being amazing, but then the books kept deteriorating. Loving certain characters and then having them getting on your nerves is more annoying than I had ever imagined. Most characters of this book, even those I liked in the first and second one, now I just found plain annoying. Well, for starters, I find it annoying that they didn't eve I honestly expected much more than this. It was utterly mediocre from the beginning to the unsatisfying ending. This series started off so good with the first book being amazing, but then the books kept deteriorating. Loving certain characters and then having them getting on your nerves is more annoying than I had ever imagined. Most characters of this book, even those I liked in the first and second one, now I just found plain annoying. Well, for starters, I find it annoying that they didn't even want to help out in saving the human race, I hope they're satisfied with where they ended up being. This book, felt like stalling. Honestly, minus some action scenes and the main storyline parts which where poor to the point of nonexistent, there wasn't anything of much importance. This book could have honestly been 50 pages long it wouldn't have made a difference. Having characters running around with a no-brainer explanation and making them pigheaded, it was just frustrating. Thomas, Minho, Newt, they were all fools although I felt bad for one of them in the end but it wouldn't have made a difference. The ending inspired a sense of doom, and it's one that is unpredictable, you can imagine a hundred different ways they could end up. Yes, oh yes, I came up with some nice ideas about hyenas creeping up on them, or dying by venomous spiders. Is my imagination running wild? The only reason I gave this 2 stars is because I enjoy immensely the way Dashner writes, with his quirky dialogues, snarky comments and all. I just wish this author would come up with more rich and original storylines, because he really could be great. Do I recommend this series? Well, the first one HELL YES, the second one HMM YES and the third one UGH NO. That about sums it up. For some dystopia fans this could work, it didn't for me much as I wanted to. This review has been hidden because it contains spoilers. To view it, *sighs* this probably doesn't deserve a rating as low as 2 stars, but since it deserves a rating lower than its two predecessors, it gets 2 stars. This trilogy could have been amazing if its last installment had been amazing giving meaning and imaginative explanations for all that happened in the earlier books. I kept waiting for this huge plot twist about the 'real reason' why wicked was doing all these horrible things-- but in the end, the explanation was the easy to guess-- so easy and lame t *sighs* this probably doesn't deserve a rating as low as 2 stars, but since it deserves a rating lower than its two predecessors, it gets 2 stars. This trilogy could have been amazing if its last installment had been amazing giving meaning and imaginative explanations for all that happened in the earlier books. I kept waiting for this huge plot twist about the 'real reason' why wicked was doing all these horrible things-- but in the end, the explanation was the easy to guess-- so easy and lame that half of the guesses I had come up with were orders of magnitude more exciting and imaginative. In addition to this serious plot failure, it didn't have a main character that I really liked to help make me like the book despite its issues. I didn't dislike him, just sort of neutral. I liked a number of the minor characters, but most of them died (except Minho and I guess Frypan). Which brings me to my next quibble: Teresa and Brenda. I never liked Brenda and I felt like since the second book the author was trying to force me to accept her as a replacement for Teresa, and then conveniently leaves Teresa out of the picture and eventually kills her off to make room for a character I never cared for. I can't argue that it was unrealistic that Thomas would be distant from Teresa given the events, but I'm just mad at the author for giving her hardly any face time in the second two books, like she never even had a chance to defend herself. This ties in with my other problem, namely since we hardly get to hear from Teresa AND Thomas never bothers to recover his memories, we never find out what it was in the past that made her and Thomas so sure they were doing the right thing when setting up all these tests, unless you really wanna stick with the same lame explanation that Wicked gave for its actions. So overall, I feel like this series didn't have a good enough ending/explanation of events to merit reading through all the demoralizing experiences. This said, it was still a well-written series in that the story was compelling and some of the minor characters were depicted well. 1.5 stars First, to clarify. This isn't an angry one star. I just have lost most of my patience when it comes to all of this series's flaws. As many people have noted, the Maze Runner trilogy is a bit. Throughout the first two books, a lot of stuff happens with little to no explanation. I knew going into The Death Cure that the only way I would like this book was if it finally gave me the answers I was looking for. Well, as you can see from my rating, it didn't. [But man 1.5 stars First, to clarify. This isn't an angry one star. I just have lost most of my patience when it comes to all of this series's flaws. As many people have noted, the Maze Runner trilogy is a bit. Throughout the first two books, a lot of stuff happens with little to no explanation. I knew going into The Death Cure that the only way I would like this book was if it finally gave me the answers I was looking for. Well, as you can see from my rating, it didn't. That stupid part where Newt died. I knew it was coming but it still made my eyes tear up. Newt, I love you. And maybe I was being emotionally manipulated, but your death killed me. Why did you have to tell Tommy you hate him? What a terrible last memory. If Newt told me he hated me, I'd probably shoot myself, not him. That is how much I treasure his affection. And could Brenda still working for WICKED be any more obvious? It got to the point where Thomas was actively ignoring the signs that she was playing them all. Apparently, all it takes is a few cheek-kisses for Thomas to be fooled. Cheek-kisses.) ] And it doesn't help that Thomas is the least compelling protagonist to ever draw breath. To me, he just seems a little. I don't like him. One last complaint. Dashner was really unsuccessful, at least for this reader, in describing action scenes. This was especially apparent toward the end, when there were some fights/brawls. Trying to picture what Character A was doing to Character B was so confusing. How can you simultaneously wrap your legs around someone's torso and pin their arms down with your knees? Okay, I lied. I have more complaints. The characters are so. Their jokes aren't funny and Dashner never developed them into real live people; they only exist to react to plot events. And since the plot stopped making sense quite some time ago, maybe that's not the best strategy. And I think there was a theme running through the book of gray morality, there are no 'right' choices, etc. But I didn't feel that the author respected his audience (or his writing skills) enough to let that theme seep in through character choices and the problems they faced. Instead, there were multiple instances where a character would think or say, literally, 'Things aren't black and white anymore!' Yeah, okay, we get it. One good thing: ambiguous ending. Not going to expand on that for obvious reasons, but I would have been disappointed if everything was wrapped up with a cute little bow. Thinking back, that was Dashner's (and the trilogy's) greatest strength. He wasn't afraid to hurt, emotionally traumatize, or even kill some of his best characters. So, for some younger readers, these books could be a revelation. Final Verdict: I think this series would be (and obviously is, based on how many requests it has at my library) very enjoyable and exciting for kids, maybe ages 11-14. But it didn't work for me. The writing and world-building were too weak for me to like the Maze Runner series. But I think I would recommend it for its target age group. I put this on my 'disturbing moments' shelf because, at one point, a chunk of rock falls on some people and crushes them and their blood trickles out from beneath the rock. That's linked to some traumatic childhood moments for me, most notably watching a Halloween episode of The Simpsons that I was really not prepared for. 1.5 “As we tried to instill in each of our subjects over and over, WICKED is good.” Yeah, WICKED is good. But this book is BAD. Actually, WORST! Ridiculous plot. Bad ending/closure. Stupid main character. Unnecessary deaths. Ladies and gentlemen, The Death Cure. Let's be honest here. I am so curious about this trilogy because well, I find it interesting in the first place, but I end up being disappointed and frustrated. After The Maze Runner, the sequels went down drastically. I found 1.5 “As we tried to instill in each of our subjects over and over, WICKED is good.” Yeah, WICKED is good. But this book is BAD. Actually, WORST! Ridiculous plot. Bad ending/closure. Stupid main character. Unnecessary deaths. Ladies and gentlemen, The Death Cure. Let's be honest here. I am so curious about this trilogy because well, I find it interesting in the first place, but I end up being disappointed and frustrated. After The Maze Runner, the sequels went down drastically. I found the plot appalling and ridiculous. I'm not buying it. And I really didn't get what I want regarding the plot. Or most probably, I have the Flare and it's eating my brain that I can't comprehend this book. Seriously, it wasn't fascinating. Thomas is stupid. I hope he was the one who died and not *toot* and *toot* because he is stupid. Fuck you, Thomas! If you thought The Scorch Trials is so random, think again. The Death Cure is the random-est of all. There are lots of deus ex fucking machina. There are lots of scene that I didn't find fitting or didn't connect with what is happening. They are really more like random throws to make the story line relevant and fascinating. Don't get me started with character development because there is none. There's one, I found out that Newt is not immune to the Flare virus. What a surprise? It's really trying hard. And the worst is, I don't feel anything about this book. With those deaths and near-deaths, I am just there reading it like I'm reading an instruction manual with fistfight and running. I appreciate the pacing since I didn't get bored. But, it is kinda manipulative. And it's not enough to redeem the whole mess. *throw shades*. The Maze Runner was the first survival-dystopian book I've ever read and I can't express the pulse-pounding rush I get from this series and what brought other book of this genre come to life in my world. The Hunger Games, Divergent, Legend.it all started with James Dashner and I'll forever be grateful for his ingenious story telling that is 100% pure adrenaline. It ignited a passion in me that will forever be craved. The Death Cure is the finally conclusion to this heart-stopping wor Speechless! The Maze Runner was the first survival-dystopian book I've ever read and I can't express the pulse-pounding rush I get from this series and what brought other book of this genre come to life in my world. The Hunger Games, Divergent, Legend.it all started with James Dashner and I'll forever be grateful for his ingenious story telling that is 100% pure adrenaline. It ignited a passion in me that will forever be craved. The Death Cure is the finally conclusion to this heart-stopping world and I'm here to tell you that it's been one helluva ride!! Now.I'm sure that with the ending we got that many people will feel either content with it or they may feel robbed. I guess I feel a little of both, but I think that's how we're meant to feel, cause that's how these characters feel. See, these books are designed to keep the reader in constant wonderment. We don't know who to trust (with a few exceptions) we don't know what's real and we don't know which way the story will turn no matter how much we think we've figured it out. The methods WICKED used were horrendous and when push comes to shove, meaningless. After all that tragic, all that pain and all that torture (for characters and readers alike) the final answer was indeed right before our eyes.and yet, I've never once, during this entire series thought about it. I was to focused on what was going on and to panicked with want for my favorite characters to survive that I never looked at the could-be-solution. I was just waiting for the shucking cure! With that said, I'm happy with the way this ended. In fact, I think it's the perfect ending. It's filled with action and answers. It leaves the characters and the readers exhausted and exhilarated, but most of all despite the lost and despair it leaves us with hope, and that my friend is always a note I like my reads to end with. I've said this in my last two reviews so I might as well say it one last time. James Dashner is my hero! These books have been one of the most craziest, twisted and absolutely addicting books I've ever read and I can say this with a heavy heart. It will be tremendously missed. Congrats to James Dashner on such an epic series. You put your readers and your characters through absolute hell mister! But I've never had such a blast reading a series from beginning to end. Pure awesomesauce! Another series finished for this year, #winning The Death Cure Ummm, where to begin? This series was such a fast paced, roller coaster filled with amazing twists and turns that kept me on the edge of my seat, and short of breath most of the time! Haha I loved that the chapters were short and generally left on cliff-hangers! I think the first book is still my favourite, but the action in all 3 books never lacked, amazing series, and I highly recommend it! Even if you're kind of resistant like I was!: Another series finished for this year, #winning The Death Cure Ummm, where to begin? This series was such a fast paced, roller coaster filled with amazing twists and turns that kept me on the edge of my seat, and short of breath most of the time! Haha I loved that the chapters were short and generally left on cliff-hangers! I think the first book is still my favourite, but the action in all 3 books never lacked, amazing series, and I highly recommend it! Even if you're kind of resistant like I was!:). *Sigh* This was such a disappointment. It pains me to say that. It really, really does, because I loved the first two books, and thought that this series had huge potential. I was so excited to read this book, to find out what was going on. And then this? This is just. I just don't even know where to start. I thought that the concept of this series was fascinating. The mysteriousness, the everyone starts at One and figures it out as we go thing was great - I loved it, alt *Sigh* This was such a disappointment. It pains me to say that. It really, really does, because I loved the first two books, and thought that this series had huge potential. I was so excited to read this book, to find out what was going on. And then this? This is just. I just don't even know where to start. I thought that the concept of this series was fascinating. The mysteriousness, the everyone starts at One and figures it out as we go thing was great - I loved it, although I am sure many others didn't. The action, the confusion, the mistrust. All of that was great in the first two books, which had me chomping at the bit for the conclusion. Well let me not keep you in suspense. It fell hard, like Wile E. Coyote right after he realizes he's been duped off a cliff. The resulting splat was flatter than a pancake. The ONLY reason I'm giving this two stars and not an abysmal one star, is that it WAS still exciting to read, mostly, and I kept hoping against hope, as the remaining page count grew smaller and smaller, that there would be some redemption to this book, that the revelation at the end would knock me on my ass and leave me stunned and wondering just how I could not have seen it coming. Alas, there was not and it did not. This was just. Nothing but 325 pages of filler and then a fucking cop-out ending. This series should have been a slightly expanded duology. About 50 pages of this book should have been tacked onto The Scorch Trials along with a decent ending, and I'd have been thrilled. All I can say is I'm glad I didn't buy them. The characters showed zero growth. And not only zero, but. NEGATIVE GROWTH. I'm going to assume that if you're reading this review, you've read at least through The Scorch Trials. So you know that Thomas, the main character, and his best friend Teresa, have 1) secrets about their past that tie into WICKED, meaning that they worked for WICKED and helped design the program and experiments, etc and 2) have had all of their memories of those secrets, their roles as mentioned above, and the rest of their pasts, wiped. They know their names, but other than that, they're basically operating on instinct and feelings. They've determined that WICKED has been experimenting on all of the Gladers in order to find a cure for a disease that is running rampant on Earth, turning people into raging, cannibalistic psychopaths. No-Memory Thomas doesn't trust WICKED, and wants to get away from them and stop them from experimenting on people. 'Cause it's all mean and they lied and stuff. (Seriously, that's pretty much his reasoning.) Given the chance to get his memories back, to remember exactly what WICKED is, and what its goal is, HOW HE CAN STOP IT USING INSIDER INFORMATION THAT HE WOULD HAVE BECAUSE HE EFFING DESIGNED THE SHIT, he decides he doesn't want them back. No thanks, I'm good,' says he. I can get the logic of not wanting people he mistrusted to muck around in his head anymore. I can go with that. When a person he is willing to trust is given the OK to muck around in his head, he STILL DOESN'T WANT THE KNOWLEDGE OF HIS MEMORIES. Are you fucking KIDDING ME? REVIEW UPDATED! Read after the second line break. --------------------------------------------------------------------------------------------------- 'Teresa. Why did it have to end that way?' -- Thomas, (Chapter 52, The Scorch Trial) 'No. I kind of accepted it, in a way. That saving you was worth losing what we might’ve had.' -- Teresa, (chapter 56, The Scorch Trial) I had a hard time getting into The Maze Runner. Despite the good plot and characters, it wasn't that enticing. I got hooked probably REVIEW UPDATED! Read after the second line break. --------------------------------------------------------------------------------------------------- 'Teresa. Why did it have to end that way?' -- Thomas, (Chapter 52, The Scorch Trial) 'No. I kind of accepted it, in a way. That saving you was worth losing what we might’ve had.' -- Teresa, (chapter 56, The Scorch Trial) I had a hard time getting into The Maze Runner. Despite the good plot and characters, it wasn't that enticing. I got hooked probably around the time Teresa woke up and I instantly liked her. Loved her even. I was keeping my faith on her in The Scorch Trial even though I read reviews that said she'll be someone I'll hate. I didn't want to but there were moments that I almost did. I have to see how her character will develop in this book. I'm hoping that she'll be the same smart and strong Teresa that I knew from The Maze Runner. I would also like to keep an eye on Thomas. He's held onto Teresa as much as I did and I know, deep inside him, he still cares for her. He's been through a lot of things and I like to think that I understand his character. I just hope that he makes it through the end and become the same Thomas in the Maze Runner, just smarter, stronger and ready for anything. Other characters that I'm looking forward to read again are Minho and. He's a work of art. I guess there are no other characters at all. I don't like Brenda for Thomas and I'm sure that I'd make a new shelf just for this book if they do end up together. The title would probably be, 'Never to read again'. It's Thomas and Teresa. Senseless, maybe, but I'm more of looking forward to see how the relationships of the characters develop than what would happen with WICKED. ^_^ ---------------------------------------------------------------------------------------------------- After waiting for so long, I've finally got a hold of a copy of this book. To say the truth, it was rather disappointing. It was action-packed and you will definitely have a hard time putting it down once you started. And it was also fast-paced which suits me well. But I will never get over the fact that it didn't end the way I hoped it to. Call me selfish, if you like. But if you read it, there were a lot of sacrifices they had to make. And in the end, i couldn't understand why it had to be that way. Brenda remained mysterious, Teresa wasn't there much, a lot of things are still bugging me. A lot of things were missing. But it was a good book, nevertheless. I enjoyed reading it. I even shed a few tears. This trilogy ended horribly. It was like the author just found anything he could to wrap up each storyline. The whole trilogy wasn't great to begin with, but I trudged on. Book one got decent about halfway through, book two was alright, but book three was terrible. Honestly, I hope that someone gives the author some serious lessons in writing female characters and making male and female associations believable as throughout one of the biggest problems was his main characters relationships with hi This trilogy ended horribly. It was like the author just found anything he could to wrap up each storyline. The whole trilogy wasn't great to begin with, but I trudged on. Book one got decent about halfway through, book two was alright, but book three was terrible. Honestly, I hope that someone gives the author some serious lessons in writing female characters and making male and female associations believable as throughout one of the biggest problems was his main characters relationships with his female characters. It was all fluff and cardboard. Teresa particularly was a cardboard cut out of a pretty young girl. She never developed into a real character. The other large problem was that his protagonist Tom is a weeny. Throughout the book he is erratic in his ability to take the lead which he often does not do despite the hints that he IS suppose to be the leader. And at the end AFTER he himself says he failed his friend Newt, even upon given a second chance, poor Newt has to SCREAM at him, begging for him to take care of the problem before he does it. Is this boy ever gonna MAN UP? I guess we won't know because it ended with him being ushered to the next place by a girl with a secret, a secret he was too dumb to ever guess or figure out because he just wanted to be a wimp with his head in the freaking sand. I really wanted to like the series because I loved the concept, I suppose this was why I trudged on. But honestly, it was, meh. Mostly a disappointment. Over the top action, explosions, deaths - it was hard to care after a while and after 3 books of it, it was too much. I was going to take a break between books, but just wanted to finish it. I would have liked to see Thomas and his friends discover more about Wicked and learn what was going on with the trials for Wicked instead of being told everything. And the ending.meh. If you've come this far, then you need to finish the series, but compared to book 1, which was amazing, this is a laundry Over the top action, explosions, deaths - it was hard to care after a while and after 3 books of it, it was too much. I was going to take a break between books, but just wanted to finish it. I would have liked to see Thomas and his friends discover more about Wicked and learn what was going on with the trials for Wicked instead of being told everything. And the ending.meh. If you've come this far, then you need to finish the series, but compared to book 1, which was amazing, this is a laundry list of actions that have no forward movement as far as plot and character development. This review has spoilers so heads up. The series was a fun read (until the end when you realize you've been had). Obviously it is non-stop action from start to finish and James Dashner does a great job of that. I also really liked that the author doesn't shy away from violence which can sometimes take away from a teen book. HOWEVER, all of the above is pointless if the author doesn't EXPLAIN ANYTHING! Did you hope to find out what Thomas' memories were? Did you want to know why Thomas, T This review has spoilers so heads up. The series was a fun read (until the end when you realize you've been had). Obviously it is non-stop action from start to finish and James Dashner does a great job of that. I also really liked that the author doesn't shy away from violence which can sometimes take away from a teen book. HOWEVER, all of the above is pointless if the author doesn't EXPLAIN ANYTHING! Did you hope to find out what Thomas' memories were? Did you want to know why Thomas, Theresa, and Aris were the only ones with telephathy? Nope, not gonna happen in this book! Did you want to know anything else? Maybe what happens to certain characters? The idea that this HUGE, elaborate, deadly maze where kids lived for years was required to find a cure for a virus is just too far-fetched. That the kids were sent out into a zombie ridden, desert wasteland where there were an infinite number of uncontrolled variables and they all could have died at any moment - unbelievable. That ALL of this was to create a 'blueprint' for making a cure for the virus? Sure each individual idea is fun and exciting and imaginative.but I think it was all a bit over the top. In the end it turns out that 200 people who weren't even part of the Trials just waltz through a magic screen to paradise. Nope, these weren't even the strongest individuals who had survived the Trials, they were people captured by the Right Hand, thrown into a room, then thrown into a maze, and then led by Thomas into a magical paradise where they can all reproduce. Trilogy fail. I loved Newt and his story. It's things like that which are redeeming. There are certainly great moments within each book, but taken as a whole it just didn't work. I devoured each book in a matter of hours so if you're just looking for a fun read then have at it. Just don't expect it to make sense. Have you ever experienced something spectacular, only to look back on it and think 'wait a second. Why did I like that so much?' That roller coaster or spicy Thai food you loved but then caused you to suffer serious stomach aches? That's how I feel about The Death Cure and the Maze Runner series. Just like the first two books in the series The Death Cure delivers a fast-paced story filled with adrenaline-inducing action sequences and thrilling twists. While Dashner's writing isn't beautiful, i Have you ever experienced something spectacular, only to look back on it and think 'wait a second. Why did I like that so much?' That roller coaster or spicy Thai food you loved but then caused you to suffer serious stomach aches? That's how I feel about The Death Cure and the Maze Runner series. Just like the first two books in the series The Death Cure delivers a fast-paced story filled with adrenaline-inducing action sequences and thrilling twists. While Dashner's writing isn't beautiful, it possesses an exciting energy that sucks the reader in and doesn't let them go. The sheer suspense of the series kept me content despite other issues that arose. Until this book. For those who have read The Maze Runner and The Scorch Trials, you probably know that there were a lot of questions that needed to be addressed in this novel. The first two books in the series acted as an action-packed snowball that gathered unaddressed plot issues as it rolled down the hill of total exhilaration. To me, this third book was supposed to be when the snowball finally hit a huge brick wall, sending all of its fluff flying and revealing its true core. But it didn't exactly live up to that expectation - everything felt too nice and neat, sort of like if the snowball simply melted instead of erupting like a volcano. I also would've preferred if Thomas reflected on what had happened to him instead of just accepting it and moving on. A little more introspection would've been nice - what has he learned from being tortured and manipulated by this evil group of people? How will it influence his actions in the future? I wanted Thomas to grow tremendously throughout this series, but especially in this book because he finally learns the truth about his life. Unfortunately, that didn't happen, at least not to the level that would've earned this book five stars. However, you can tell by my solid rating that I liked the book overall. Maybe I'm biased because of the main character's name or because this series as a whole impressed me, but, I gave The Death Cure a much higher rating than I'm sure many other people would. I could just be a nice guy. I recommend the Maze Runner series if you're searching for exciting and somewhat mindless entertainment. It didn't change me or make me think extraordinarily hard, but it provided me with a gripping plot that had me eagerly awaiting each and every book. *cross-posted from my blog,. *sigh* Wasn't expecting that conclusion at all. Initial thoughts: 1. Very good start of The Death Cure. The first 100-150 pages was excellent! From there, the plot and characters start to fall apart for me. I felt I was being stalled/distracted from the main plot. Sure the time for lies is over, but when do we find out the truth? Opportunities for our main character to understand the whole truth is missed, and I'm disappointed he doesn't step up to the plate. What happened to the ch Really??!! *sigh* Wasn't expecting that conclusion at all. Initial thoughts: 1. Very good start of The Death Cure. The first 100-150 pages was excellent! From there, the plot and characters start to fall apart for me. I felt I was being stalled/distracted from the main plot. Sure the time for lies is over, but when do we find out the truth? Opportunities for our main character to understand the whole truth is missed, and I'm disappointed he doesn't step up to the plate. What happened to the characters?! For the most part I was disappointed in the development of our main characters. I was hoping to read more of certain characters, and some of the 'new' characters weren't fully developed. I know I've said I like open-ended stories, but this is too open! Not enough answers, and barely any closure. In retrospect, I felt I was given the run-around. Although the book was fast-paced, and a page turner, I was hoping for much more. I LITERALLY DO NOT KNOW HOW TO FUNCTION OR FEEL RIGHT NOW. I'M GOING TO CRY. SO JUST.UM, STANDBY WITH A MOP AND BUCKET. I'm literally gobsmacked. I'd seen a lot of spoilers beforehand that really made me angry.I HATE having books spoiled! But things panned out differently and even though I knew a few of the deaths, it still broke my heart. I will never ever ever be emotionally okay about this book. I love this trilogy. I love it absolutely fully and wholly because it's a mind game I LITERALLY DO NOT KNOW HOW TO FUNCTION OR FEEL RIGHT NOW. I'M GOING TO CRY. SO JUST.UM, STANDBY WITH A MOP AND BUCKET. I'm literally gobsmacked. I'd seen a lot of spoilers beforehand that really made me angry.I HATE having books spoiled! But things panned out differently and even though I knew a few of the deaths, it still broke my heart. I will never ever ever be emotionally okay about this book. I love this trilogy. I love it absolutely fully and wholly because it's a mind game as well as a survival race. I love mind games. You never know who's tell the truth. IS WICKED GOOD?? I've finished the story and I don't even know. I love how this book dealt 99% in grey areas. What does it mean to be on the 'Good Guy Side'??? They totally turned it on it's head so so many times. My favourite one? It was definitely [ that Gally came back as a GOOD GUY. I am so relieved. I loved Gally a lot. (Although that could kiiiind of be because he's adorable. But turned out WICKED was fully controlling him to kill Chuck. And WICKED even controlled Chuck to die. I could cry now. I hate WICKED. But apparently they are still good?!! I get that everything they did was to try and save humanity. Which is why I partially find it so fascinating. If you had to kill hundreds of people to save millions.does that make it okay??? ] Of course we're missing a lot of characters who died in earlier books but we still have: Thomas (duh), Teresa, Minho, Newt, and Brenda. I'm still not sold on Brenda. I don't think she had a very complex personality. I LOVE NEWT AND MINHO SO MUCH I COULD SCREAM. And Thomas, of course, is my squishily favourite. I love how Thomas makes mistakes but he really really wants to do the right thing. And he's loyal. And I love how he leads but in a subtle way. He never makes the 'final decision'. He always makes sure Minho and Newt are cool with it. And I love how they stuck together as best they could.I just wish so SO hard that they'd said something about their friendship. NO CHICK FLICK MOMENTS. But it felt always that Thomas never said, 'Hey, guys thanks for being my best friends and my family.' I WANTED THAT IN WORDS. I needed a little chick flick moment, okay? The action scenes were good and varied. Pretty full on. More guns this time. I wasn't quite as engaged. But I think this is because I knew who would die (dang spoilers on pinterest I accidentally saw) so I kind of felt angry the whole time because I DIDN'T WANT SAID PERSON TO DIE. LEMME CRY ALONE. And I always felt the emotional scenes were.not 100% there. Like the emotion was always trapped behind a wall that we, the readers, didn't get to feel. But I have enough emotion for 58703 people so this was fine. I BASICALLY SCREAMED A FEW TIMES. We gotta talk about the deaths or I'm going to just screech like a wingless banshee. And [ I new Newt would die, but it HURT SO BAD that he wanted Thomas to kill him. I wish there'd been more from Newt and Thomas. Like just.I don't even know! Thomas said Newt was his best friend, but but but I didn't see it so much. I felt Thomas/Minho/Newt were pretty much on equal friendship ground. Except Minho needed to shut his shuck face. HE WAS SO MEAN TO NEWT AT THE END. I cried (on the inside.I am Vulcan) for Newt as he went crazy. I LOVE FREAKING NEWT. And I cried especially hard when he said the reason he had the limp was because he tried to kill himself in the maze. Alby was there for him. ALBY SAVED NEWT IN THE MAZE. He saved Newt from himself. And Thomas couldn't save Newt from himself and this just hurt me so so much more. The feels were wicked. I was really surprised when she died saving Thomas (she pushed him out of the way of a falling wall) and. It was perfect. I think it proved that, all along, no matter how horrible Teresa's decisions were.at the end of the day she loved Thomas and wanted things to be better. She was never evil. I HAVE INFINITE RESPECT FOR TERESA. She and Thomas are still my ultimate ship because.BECAUSE THEY ARE. I don't like Brenda. I just don't. I will cry for Teresa. ] The book is perfection. It's fast paced, it's full of twists, and it basically punched me in the feels with the strength of Thor's hammer. IT COULD NOT HAVE BEEN DONE BETTER. I'm sad it's over. It's one of my top favourite dystopian trilogies. HUZZAH FOR THE GENIUS OF JAMES DASHNER!! *cries* [image error]. Diverta Online iti pune la dispozitie volumul LABIRINTUL. TRATAMENT LETAL (VOL 3) scrisa de JAMES DASHNER. Cumparaturile de noi carti devin mai frumoase cu dol.ro, unde poti cumpara mereu noi volume la cele mai bune preturi, rapid si usor. Cartea LABIRINTUL. TRATAMENT LETAL (VOL 3) de JAMES DASHNER tiparita de editura Litera se bucura de un succes insemnat pe piata, fiind o lectura frumoasa si apreciata de tot mai multe persoane. Daca vrei sa stii mai multe detalii, poti citi o scurta prezentare a cartii pe dol.ro, doar cat sa-ti mareasca curiozitatea. Gasesti toate detaliile cartii: colectia din care face parte, ofertele promotionale, dimensiuni, numar pagini si alte informatii utile mai ales daca vrei sa o faci cadou. O astfel de carte va fi un dar frumos pentru persoana potrivita. Daca iti place autorul JAMES DASHNER, poti gasi mai multe carti scrise de el in libraria online dol.ro. Diverta are grija sa selecteze cele mai bune volume bazandu-se atat pe recenziile criticilor, cat si pe parerile cititorilor ca tine. De aceea am decis sa iti oferim sansa sa cumperi online din orice oras in care te afli LABIRINTUL. TRATAMENT LETAL (VOL 3) de JAMES DASHNER cu ISBN 885. Este o carte ce merita investitia, promitand o lectura interesanta si captivanta. Daca iti plac cartile din aceasta categorie, gasesti alte carti pe placul tau pe dol.ro. Dispunem de o gama diversa de carti, a carei marime depaseste numarul de carti al oricarei librarii Diverta din orasele din toata tara. Apreciem pasiunea ta pentru carti, de aceea investim ca sa gasesti intotdeauna ce cauti pe dol.ro! Running time 165 minutes Country United States Language English Budget $100 million Box office $425.4 million Django Unchained is a 2012 American film written and directed by, starring,,,, and, with,,, and in supporting roles. Set in the and, it is a highly tribute to, in particular the 1966 Italian film by, whose star has a. Development of Django Unchained began in 2007 when Tarantino was writing a book on. By April 2011, Tarantino sent his final draft of the script to The Weinstein Company. Casting began in the summer of 2011, with and being considered for the role of the title character before Foxx was cast. Principal photography took place from November 2011 to March 2012 in California, Wyoming and Louisiana. Django Unchained premiered at the in New York City on December 11, 2012, and was released on December 25, 2012, in the United States. More Django [2018] videos. The film was nominated for several film industry awards, including five. Waltz won several awards for his performance, among them Best Supporting Actor at the,, and. Tarantino won an, a, and a award for writing the film's original screenplay. The film grossed over $425 million worldwide in theaters against its $100 million budget, making it Tarantino's highest-grossing theatrical release. Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • Plot [ ] In 1858, the Speck brothers, Ace and Dicky, drive a group of on foot. Among the shackled slaves is, sold off and separated from his wife, Broomhilda von Shaft. The Speck brothers are stopped by Dr. King Schultz, a German -turned- from, who asks to buy one of the slaves. He questions Django about his knowledge of the Brittle brothers, a group of for whom Dr. Schultz is carrying a warrant. When Ace becomes suspicious, Dr. Schultz, a superior, kills Ace with a, then shoots Dicky's horse, pinning Dicky to the ground and crushing his leg. Schultz insists on honorably paying Dicky a fair price for Django before leaving him at the mercy of the newly-freed slaves, who kill him and follow the to freedom. As Django can identify the Brittle brothers, Dr. ![]() Schultz offers him his in exchange for help tracking them down. After tracking the Brittles to the plantation of the wealthy Spencer 'Big Daddy' Bennett and killing them, the liberated Django partners with Dr. Schultz and becomes his apprentice. Later that evening, the duo are hunted by Bennett and a large gang of white supremacists (a reference to the early ), but Dr. Schultz deceives and kills most of Bennett's gang with an explosive and Django kills Bennett. Schultz explains that he feels responsible for Django since Django is the first person he has ever freed, and feels morally obliged to help Django reunite with Broomhilda. ![]() Now fully trained, Django collects his first bounty, keeping the flyer for good luck. In 1859, Django and Dr. Schultz travel to, where they learn the identity of Broomhilda's owner: Calvin J. Candie, the charming but cruel owner of the Candyland, where slaves are forced to fight to the death in brutal wrestling matches called 'Mandingo fights'. Schultz and Django meet Calvin at his gentleman's club in and submit their offer to buy one of his best fighters; however, this is a pretense. Their ulterior motive is to purchase Broomhilda. Intrigued, Calvin invites them to his ranch at Candyland. During the ride to Candyland, they come across a group of Calvin's slave trackers cornering one of Calvin's Mandingo fighters, D'artagnan, who tried to run away due to no longer wanting to fight. Calvin says that because he bought D'artagnan for $500, D'artagnan (who has only fought three times) must fight at least five times. When Django and Dr. Schultz offer to reimburse Calvin and then change their minds, Calvin has his chief tracker, Mr. Stonecipher, unleash several attack dogs that. After finding Broomhilda and telling her of their plan, Dr. Schultz claims to be charmed by her and offers to buy her as well. During dinner, Calvin's staunchly loyal house slave Stephen becomes suspicious. Deducing that Django and Broomhilda know each other and that the sale of the Mandingo fighter is a, Stephen alerts Calvin, who alters the deal so that Broomhilda will be sold instead of the Mandingo fighter. Schultz agrees, and the papers for her freedom are drawn up and signed. Calvin smugly insists that the deal be sealed through a, which Dr. Schultz refuses. When Calvin threatens to have his bodyguard Butch Pooch kill Broomhilda, Dr. Schultz, who has finally had enough of Calvin's cruelty and is still thinking about D'artagnan's death, shoots Calvin through the heart with his, killing him. As Stephen mourns Calvin, Butch turns around and kills Dr. Schultz by shooting him with his, and is killed by Django in turn with Butch's own. A begins, and Django shoots down a great number of Calvin's henchmen before surrendering when Broomhilda is taken. The next morning, Stephen tells Django that Calvin's sister, Lara Lee Candie-Fitzwilly, is in charge now, and he will be sold to a mine and worked to death. En route to the mine, Django proves to his escorts that he is a bounty hunter by showing them his flyer. The escorts release him and give him a revolver, which he immediately uses to kill them before stealing a horse and returning to Candyland with a bag of. At the plantation, Django kills more of Calvin's henchmen, including Mr. Stonecipher and all the other trackers, takes Broomhilda's freedom papers from the dead Dr. Schultz's pocket, and frees his wife from a nearby cabin. When Calvin's mourners return from his burial, Django kills Lara and the remaining henchmen, releases the two remaining, and Stephen before igniting the dynamite that he has planted throughout the mansion. Django and Broomhilda watch from a distance as the mansion explodes, killing Stephen, before they ride off together. • as • as Dr. King Schultz • as 'Monsieur' Calvin J. Candie • as Broomhilda 'Hildi' von Shaft • as Stephen • as Spencer 'Big Daddy' Bennett • as Billy Crash • as Ace Speck and Butch Pooch • as Leonide 'Leo' Moguy • as Dicky Speck • as Mr. Stonecipher • as U.S. Marshal Gill Tatum • as Cora • Nichole Galicia as Sheba • as Lara Lee Candie-Fitzwilly • as D'Artagnan • Sammi Rotibi as Rodney • Clay Donahue as Fontenot • Escalante Lundy as Big Fred • Miriam F. Glover as Betina • as Frankie • as Chicken Charlie • as Amerigo Vessepi Other roles include as Son of a Gunfighter, as Daughter of a Son of a Gunfighter, as Sheriff Bill Sharp, as Old Man Carrucan, as Big John Brittle, as Lil Raj Brittle, Doc Duhame as Ellis Brittle, as Bag Head #2, a member of a -like group; as Sheriff Gus (Snowy Snow), as Tennessee Harry, as Minnie, as Coco and Clay Donahue Fontenot as Luigi.,,,,,, and play Candyland trackers, while and, alongside Tarantino himself in a as Frankie, play the LeQuint Dickey Mining Company employees. Production [ ] Development [ ]. Tarantino in Paris at the film's French premiere, January 2013 In 2007, Tarantino discussed an idea for a type of set in the United States' pre-Civil War. He called this type of film 'a southern', stating that he wanted 'to do movies that deal with America's horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies. I want to do them like they're genre films, but they deal with everything that America has never dealt with because it's ashamed of it, and other countries don't really deal with because they don't feel they have the right to.' Tarantino later explained the genesis of the idea: 'I was writing a book about when I came up with a way to tell the story.. I was writing about how his movies have this evil Wild West, a horrible Wild West. It was surreal, it dealt a lot with. So I'm writing this whole piece on this, and I'm thinking: 'I don't really know if Sergio was thinking [this] while he was doing this. But I know I'm thinking it now. And I can do it!' ' Tarantino finished the script on April 26, 2011, and handed in the final draft to. In October 2012, frequent Tarantino collaborator said that he and Tarantino had intended to Django Unchained with RZA's Tarantino-presented martial-arts film. The crossover would have seen a younger version of the blacksmith character from RZA's film appear as a slave in an auction. However, scheduling conflicts prevented RZA's participation. One inspiration for the film is Corbucci's 1966 spaghetti western, whose star has a cameo appearance in Django Unchained. Another inspiration is the 1975 film, about a slave trained to fight other slaves. Tarantino included scenes in the snow as a homage to. ' Silenzio takes place in the snow. I liked the action in the snow so much, Django Unchained has a big snow section in the middle,' Tarantino said in an interview. The title Django Unchained alludes to the titles of the 1966 Corbucci film Django;, the American title for the 1959 Italian epic fantasy film Ercole e la regina di Lidia, about the mythical hero's escape from enslavement to a wicked master; and to, the 1970 American biker film about a biker exacting revenge on a large group of. Casting [ ] Among those considered for the title role of Django, and were mentioned as possibilities, but in the end was cast in the role. Smith later said he turned down the role because it 'wasn't the lead'. Sent in an audition tape as the character., the original Django from the, was rumored for the role of Calvin Candie, but instead was given a cameo appearance as a minor character. Nero suggested that he play a mysterious horseman who haunts Django in visions and is revealed in an ending flashback to be Django's father; Tarantino opted not to use the idea. Was in negotiations to join as Ace Woody, a Mandingo trainer and Candie's right-hand man, but Costner dropped out due to scheduling conflicts. Was cast instead but also later left the role. When Kurt Russell dropped out, the role of Ace Woody was not recast; instead, the character was merged with 's character, Billy Crash. Was offered the role of Scotty Harmony, a gambler who loses Broomhilda to Candie in a poker game, but turned it down due to scheduling conflicts with. Was also offered the role, but declined in order to appear in. Neither Scotty nor the poker game appear in the final cut of the film. Hill later appeared in the film in a different role. Said that he 'would have loved, loved to have' been in the film but would be unable to appear because of a prior commitment to direct his first film,. Costume design [ ]. Main article: The film features both original and existing music tracks. Tracks composed specifically for the film include '100 Black Coffins' by and produced by and featuring Jamie Foxx, 'Who Did That To You?' By, 'Ancora Qui' by and, and 'Freedom' by and. The theme, 'Django', was also the theme song of the 1966 film. Musician wrote an original song for the film's soundtrack, but it was rejected by Tarantino, who explained that 'Ocean wrote a fantastic ballad that was truly lovely and poetic in every way, there just wasn't a scene for it.' Frank Ocean later published the song, entitled 'Wiseman', on his blog. The film also features a few famous pieces of, including ' and 'Dies Irae' from. Tarantino has stated that he avoids using full scores of original music: 'I just don't like the idea of giving that much power to anybody on one of my movies.' The film's soundtrack album was released on December 18, 2012. Ennio Morricone made statements criticizing Tarantino's use of his music in Django Unchained and stated that he would 'never work' with the director after this film, but later agreed to compose an original film score for Tarantino's in 2015. In a scholarly essay on the film's music, notes that the vast majority of film music borrowings come from films made between 1966 and 1974 and argues that the political and musical resonances of these allusions situate Django Unchained squarely in the Vietnam and Watergate era, during the rise and decline of Black Power cinema. 's hit ' was featured in the soundtrack. Release [ ] Part of a series on. • • • The first teaser poster was inspired by a fan-art poster by Italian artist Federico Mancosu. His artwork was published in May 2011, a few days after the synopsis and the official title were released to the public. In August 2011, at Tarantino's request, the production companies bought the concept artwork from Mancosu to use for promotional purposes as well as on the crew passes and clothing for staff during filming. Django Unchained was released on December 25, 2012, in the United States by and released on January 18, 2013, by in the United Kingdom. The film was screened for the first time at the on December 1, 2012, with additional screening events having been held for critics leading up to the film's wide release. The premiere of Django Unchained was delayed by one week following at an elementary school in, on December 14, 2012. The film was released on March 22, 2013, by Sony Pictures in. In March 2013, Django Unchained was announced to be the first Tarantino film approved for official distribution in 's film market. Lily Kuo, writing for, wrote that 'the film depicts one of America's darker periods, when slavery was legal, which Chinese officials like to use to push back against criticism from the United States'. The film was released in China on May 12, 2013. Box office [ ] After a total of 143 days, the film ended its American theatrical run on May 16, 2013 with a gross of $162,805,434 in North America. It grossed $262,562,804 in foreign countries including $51,597,323 of Germany, $37,297,979 of France, and $24,893,462 of the United Kingdom, making a worldwide total gross of $425,368,238. As of 2013, Django Unchained became Tarantino's highest-grossing film, surpassing his 2009 film, which grossed $321.4 million worldwide. Home media [ ] The film was released on,, and Digital Download on April 16, 2013. In the United States, the film has grossed $31,939,733 from DVD sales and $30,286,838 from Blu-ray sales, making a total of $62,226,571. Reception [ ] Critical and scholarly response [ ] On the film has an approval rating of 87% based on 255 reviews and an average rating of 8/10. The site's critical consensus reads, 'Bold, bloody, and stylistically daring, Django Unchained is another incendiary masterpiece from Quentin Tarantino.' , which assigns a weighted average score to reviews from mainstream critics, gives the film a score of 81 out of 100 based on 42 reviews, indicating 'universal acclaim'. Of the gave the film four stars out of four and said: 'The film offers one sensational sequence after another, all set around these two intriguing characters who seem opposites but share pragmatic, financial and personal issues.' Ebert also added, 'had I not been prevented from seeing it sooner because of an injury, this would have been on my year's best films list.' , film critic for, awarded the film five stars, writing: 'I can only say Django delivers, wholesale, that particular narcotic and delirious pleasure that Tarantino still knows how to confect in the cinema, something to do with the manipulation of surfaces. It's as unwholesome, deplorable and delicious as a forbidden cigarette.' Writing in, critic compared Django to Tarantino's earlier: 'Like Inglourious Basterds, Django Unchained is crazily entertaining, brazenly irresponsible and also ethically serious in a way that is entirely consistent with its playfulness.' Designating the film a Times 'critics' pick, Scott said Django is 'a troubling and important movie about slavery and racism.' Filmmaker praised Django, tweeting that the movie 'is one of the best film satires ever. A rare American movie on slavery and the origins of our sick racist history.' To the contrary,, film critic for the Entertainment Weekly, wrote: ' Django isn't nearly the film that Inglourious was. It's less clever, and it doesn't have enough major characters – or enough of Tarantino's trademark structural ingenuity – to earn its two-hour-and-45-minute running time.' In his review for the Indy Week, David Fellerath wrote: ' Django Unchained shows signs that Tarantino did little research beyond repeated viewings of Sergio Corbucci's 1966 spaghetti Western and a blaxploitation from 1975 called, written by and starring.' New Yorker 's was 'disturbed by their [Tarantino's fans'] yelps of triumphant laughter, at the screening I attended, as a white woman was blown away by Django's guns.' An entire issue of the academic journal Safundi was devoted to Django Unchained: [ ] ' Django Unchained and the Global Western,' featuring scholars who contextualize Tarantino's film as a classic 'western'. Dana Phillips writes: 'Tarantino's film is immensely entertaining, not despite but because it is so very audacious—even, at times, downright lurid, thanks to its treatment of slavery, race relations, and that staple of the Western, violence. No doubt these are matters that another director would have handled more delicately, and with less stylistic excess, than Tarantino, who has never been bashful. Another director also would have been less willing to proclaim his film the first in a new genre, the 'Southern'.' Top ten lists [ ] Django Unchained was listed on many critics' top ten lists. Main article: Django Unchained garnered several awards and nominations. The named it one of their Top Ten Movies of the Year in December 2012. The film received five nominations, including, and and for Tarantino. Tarantino won an. Christoph Waltz received the, the, and the, his second time receiving all three awards, having previously won for his role in Tarantino's Inglourious Basterds. The gave the film four nominations, while the named DiCaprio their. Django Unchained earned a nomination for from the. Comic book adaptation [ ] •: Django Unchained (February 2013) Potential future projects [ ] Miniseries [ ] Tarantino has said in an interview that he has 90 minutes of unused material and considered re-editing Django Unchained into a four-hour, four-night cable. Tarantino said that breaking the story into four parts would be more satisfying to audiences than a four-hour movie: '.it wouldn't be an endurance test. It would be a mini-series. And people love those.' Novels [ ] The story which became the director's follow-up film was first attempted as a paperback novel sequel to Django Unchained titled Django in White Hell. Tarantino decided, however, that the character's established morals did not fit the tone of the developing story so he began re-writing it as an original screenplay with no connection to the earlier film. He has expressed a desire to write a series of Django sequel novels. Crossover [ ] Sony is planning on a Django/ crossover movie, which currently exists in the form of a comic book. In the 2014 film, Django is seen shooting the proprietor of a racially charged shooting game, saying 'people die at the fair'. Despite his appearance, the film has no serious connection with Tarantino film and is used mostly for parody and humor. Alleged copyright infringement [ ] In December 2015, a $100 million lawsuit was filed against Tarantino by filmmakers Oscar Colvin Jr. And Torrance J. Colvin, who claimed that the script for Django Unchained bears extensive similarities to their film, titled Freedom. The lawsuit was filed in a federal court in. On January 24, 2017, the lawsuit was dismissed. See also [ ] • • • References [ ]. Retrieved July 23, 2017. December 17, 2012. Retrieved December 17, 2012. Internet Movie Database. Retrieved January 25, 2013. • Hiscock, John (April 27, 2007).. The Daily Telegraph. Retrieved April 16, 2012. • Franich, Darren (July 14, 2012).. Entertainment Weekly. Retrieved January 8, 2013. • Child, Ben (May 5, 2011)... Retrieved September 16, 2012. • Lyttleton, Oliver (October 22, 2012)... From the original on October 26, 2012. Retrieved October 26, 2012. • Child, Ben (June 7, 2012).. The Guardian. Retrieved August 12, 2012. • ^ (December 12, 2012).. The Guardian. Retrieved December 12, 2012. • ^ Edwards, Gavin (December 30, 2012)... Retrieved December 30, 2012. • Zach Baron (December 21, 2012).. • Pack, Howery (December 26, 2012)... Archived from on January 5, 2013. Retrieved January 9, 2013. • Dwyer, Sean (June 22, 2011).. Retrieved February 2, 2012. • Eisenberg, Eric (November 16, 2011).. Cinema Blend. Retrieved December 25, 2012. March 26, 2013. • Jagernauth, Kevin (February 3, 2014).. The Playlist.. Retrieved April 13, 2014. • Laster, Ryan (May 6, 2011).. If It's Movies. Archived from on May 10, 2011. Retrieved February 2, 2012. • Lyman, Eric J. (January 1, 2013).. The Hollywood Reporter. Retrieved January 30, 2013. • Franklin, Garth (July 18, 2011).. Dark Horizons. Archived from on January 2, 2013. Retrieved February 2, 2012. • Enk, Brian (September 15, 2011).. Retrieved February 2, 2012. • Yamato, Jen (September 30, 2011).. Retrieved February 2, 2012. • Child, Ben (May 11, 2012).. The Guardian. Retrieved June 12, 2012. • Rich, Katey (May 10, 2012).. Retrieved August 3, 2012. • ^ The Deadline Team (December 27, 2012)... Retrieved January 16, 2012. • Virtel, Louis (November 10, 2011). Retrieved February 2, 2012. • Holmes, Matt (November 11, 2011).. What Colture! Obsessed with Film LTD. Archived from on November 3, 2013. Retrieved February 2, 2012. • Goldberg, Matt (June 15, 2012).. From the original on June 17, 2012. Retrieved June 17, 2012. • O'Connell, Sean.. Retrieved April 5, 2012. • ^ Hanel, Marnie (January 4, 2013)... Retrieved January 8, 2013. • Sandle, Tim (January 27, 2012).. Retrieved January 27, 2012. The Washington Times. Associated Press. February 15, 2012. Retrieved February 7, 2013. • Christine (February 25, 2012).. Retrieved March 20, 2012. • Nicoletti, Karen (February 24, 2012).. Retrieved April 11, 2012. • Fox, Jesse David (January 28, 2012).. Retrieved January 28, 2012. • Thompson, Anne (July 25, 2012).. Retrieved December 1, 2012. • Chitwood, Adam (November 16, 2011).. Retrieved September 15, 2012. Film Music Reporter. November 28, 2012. Retrieved December 1, 2012. Los Angeles Times. Retrieved January 18, 2015. December 1, 2012. Retrieved December 1, 2012. • Milian, Mark (August 22, 2009)... Retrieved December 10, 2012. • Mayrand, Alain (October 29, 2009)... Getting the Score. Retrieved December 10, 2012. Retrieved 2014-01-01. • “ Django Unchained: Repurposing Western Film Music.”: the Journal of South African and American Studies 16:3 (August 2015): 280-290. Retrieved November 14, 2012. • Reynolds, Simon (June 6, 2012)... Retrieved June 6, 2012. • Chitwood, Adam (June 6, 2012).. Retrieved June 6, 2012. • Breznican, Anthony (December 2, 2012).. Entertainment Weekly. Retrieved December 3, 2012. • Child, Ben (December 18, 2012).. The Guardian. Retrieved December 26, 2012. March 22, 2013. • McClintock, Pamela (March 13, 2013).. The Hollywood Reporter. March 13, 2013. BOXOFFICE Media, LLC. Retrieved January 18, 2015. Retrieved January 30, 2015. January 17, 2013. Retrieved January 30, 2015. • Sampson, Michael.. Retrieved January 30, 2015. Retrieved December 31, 2012. Retrieved December 31, 2012. • (January 7, 2013).. Chicago Sun-Times. Archived from on January 11, 2013. Retrieved January 10, 2013. • (December 24, 2012).. The New York Times. Retrieved December 25, 2012. December 31, 2012. Archived from on April 8, 2013. • Gleiberman, Owen (December 25, 2012)... Retrieved December 31, 2012. • Fellerath, David (December 26, 2012).. Retrieved December 31, 2012. • Anthony Lane (January 7, 2013)... • Phillips, Dana. 'Introduction: Django Unchained and the Global Western'. Safundi 16.3 (2015): 253–255. January 5, 2012. • McCarthy, Todd (December 11, 2012)... The Village Voice. Retrieved December 18, 2012. December 21, 2012. Retrieved December 24, 2012. • Blumsom, Amy (24 November 2015)... Retrieved 19 November 2016. January 11, 2013. • ^ Williams, Jesse (February 21, 2013)... Retrieved 19 August 2016. • Morris, Wesley (December 25, 2012)... • Ryzik, Melena (December 19, 2012)... Retrieved January 18, 2015. The Washington Times. February 13, 2013. • Kaplan, Erin Aubry (December 28, 2012)... Retrieved December 31, 2012. December 10, 2012. December 13, 2012. • Dershowitz, Jessica (December 25, 2012).. Retrieved December 26, 2012. • Battersby, Matilda (December 17, 2012)... • (March 2013) 'Blood Sport.' • McNabb, Geoffrey (January 11, 2013).. The Independent. Retrieved February 22, 2013. • Serwer, Adam (January 7, 2013)... Retrieved January 17, 2015. • ^ Rodriguez, Rene (December 26, 2012)... Archived from on February 23, 2013. December 24, 2012. Retrieved January 18, 2015. • Daniel Bernardi, The Persistence of Whiteness: Race and Contemporary.- 2013 'For the purposes of breeding chattel, he must also buy a 'Mandingo' buck, a male slave. In the film, a 'Mandingo' represents the finest stock of slaves deemed most suitable for fighting and breeding.' [ ] • Cobb, Jelani (January 2, 2013)... Retrieved January 2, 2013. • Holslin, Peter (July 14, 2012)... Retrieved January 2, 2013. • Moore, Nolan (July 7, 2015).. Retrieved April 25, 2017. January 5, 2013. • Brody, Richard (December 28, 2012)... December 10, 2012. Archived from on December 23, 2012. Retrieved December 11, 2012. • Reynolds, Simon (December 13, 2012)... Retrieved December 13, 2012. • • Heller, Corinne (January 13, 2013).. Retrieved January 13, 2013. The Academy Awards of Motion Pictures and the Arts. Archived from on January 10, 2013. Retrieved February 28, 2013. The Guardian. February 25, 2013. Retrieved February 28, 2013. December 11, 2012. Archived from (PDF) on March 19, 2013. Retrieved December 12, 2012. December 5, 2012. Archived from on June 12, 2010. Retrieved December 11, 2012. • Serjeant, Jill (January 2, 2013)... Retrieved January 4, 2013. • at the Comic Book DB • Alexander, Bryan (May 24, 2014).. Retrieved May 24, 2014. • Staskiewicz, Keith (December 11, 2015)... US: Retrieved January 6, 2016. • Galloway, Stephen (December 10, 2015)... Retrieved January 6, 2016. • Acuna, Kirsten (December 15, 2014).. Business Insider. Retrieved December 15, 2014. Retrieved January 18, 2015. December 30, 2015. Retrieved January 6, 2016. Entertainment Weekly. December 31, 2015. Retrieved January 1, 2016. Missing or empty|title= () External links [ ] Wikiquote has quotations related to: • • on • at • at • at •. Summary: France in 1943 during the German occupation. Every night, guitarist and composer Django Reinhardt delights Parisian audiences with his witty, life-affirming ‘gypsy swing’ music. Whilst many other Romany people are finding themselves the target of racist persecution and being murdered in concentration camps, Django believes himself to be France in 1943 during the German occupation. Every night, guitarist and composer Django Reinhardt delights Parisian audiences with his witty, life-affirming ‘gypsy swing’ music. Whilst many other Romany people are finding themselves the target of racist persecution and being murdered in concentration camps, Django believes himself to be safe due to his popularity – until agents of the Nazi propaganda machine demand that he goes on tour to Germany in order to counteract the influence of ‘negro music’ from the USA. Django Reinhardt refuses. One of his Parisian admirers helps him, his pregnant wife and his mother to hide out in a village close to the Swiss border; here he meets members of his large extended family who are also on the run. But when he tries to cross Lake Geneva into Switzerland with his wife and his mother, the Nazis are hot on his heels. If you are a fan of Django, then you will really enjoy this movie. If you are into music, then you will really enjoy this movie. If you are a movie critic and have none of the above attributes, then your life is missing something. I found this movie compelling, interesting and totally If you are a fan of Django, then you will really enjoy this movie. If you are into music, then you will really enjoy this movie. If you are a movie critic and have none of the above attributes, then your life is missing something. I found this movie compelling, interesting and totally un-Hollywood. Watch Vazante – 2018 online streaming full movie in HD for free. Stream Vazante full movie free in good quality without download online. Streaming Vazante (2018. Vazante Full Movie 2018 Download Free,Vazante Full Movie Online or Download instant free on your Desktop, Laptop, notepad, smart phone, iPhone, Apple, all others. Watch Vazante 2017 Online Free Full Movie Streaming. Vazante (2017) full movie is available for download. Don't wait to download Vazante full hd version free. Vazante 2018 Full Movie Download DvDRip, Vazante full hd movie download in best print, at high speed, on single click direct download. 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Provides you information related to movies and TV shows like synopsis, trailers, directors, writers, starcast etc which is collected from various websites. We are not support any kind of download related full movie and tv show here, you can buy movie and tv shows. If you found any copyright issue in website, feel free to, we will take action within 24 working hours. NOTE: We are not hosting any kind of videos related movies or tv shows and also not support any kind of download. We just provide information related movies and tv shows. ![]() 20th Century Fox has unveiled the first trailer for, the third and final installment in the adaptation of author James Dashner’s YA trilogy. Dylan O’Brien returns in the role of Thomas, as he leads his group of escaped Gladers on a mission to break into the WCKD-controlled Last City to find answers to long-burning questions. Directed by Wes Ball, the film was originally scheduled for release in February 2017 but production was notably shut down when O’Brien suffered severe injuries as a result of an on-set accident. Filming resumed nearly a year later, after O’Brien had thankfully recovered and was ready to complete the series once and for all. This is pretty short for a debut trailer (especially since the first 20 seconds are just a rehash of the first two movies), but we do get a look at the expanded scope for this latest—and final—installment. It looks as though Ball is really going big with the effects and scope this time around, and I like the distinction in visual palette from the other two films. Dashner did write two more prequel books beyond Death Cure that reveal the origins of the maze itself, but it remains to be seen if Fox is interested in extended this franchise or if, especially considering O’Brien’s injuries during the making of Death Cure, they’ll call it quits with this third movie. Whatever the case, it certainly looks as though fans won’t be disappointed, and it’s nice to see the same director sticking with a franchise from beginning to end. Check out the first Maze Runner 3 trailer below. Maze Runner: The Death Cure opens in theaters on January 26, 2018. ![]() Maze Runner: Death Cure is the third installment of the Maze Runner franchise, directed by Wes Ball. The movie is based on the third and final book in the Maze Runner. Dystopian teen science fiction got another boost in movie theaters when The Maze Runner was released in 2014. While filming the third and final film, The Maze Runner: The Death Cure, in the series, which is based on young adult novels by author James Dashner, star Dylan O’Brien was seriously injured on the set in March. The first trailer for the thrilling final chapter in the Maze Runner saga Death Cure dropped tonight during the Teen Wolf series finale. |
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